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We all grew up with Black Sabbath. I mean, there's no secret there. Any of us, any of the members of any band I've ever been in, or anyone I've ever worked with.
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I call it a process of elimination. You're nurturing ideas, and that takes time. What happens is there's so many, what I say, 'great ideas.' What you have to do is try to consolidate them and put them into one song, and then your song becomes eight minutes long.
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I believe in rock and roll and heavy music in general.
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Megadeth doesn't sound anything like Metallica.
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When mankind goes back to treating people the way you want to be treated, things will settle, I don't see that happening. I treat people the way I want to be treated, which makes me odd.
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Don't make music to make money, because that's not why you should be doing it. Have fun, be creative, and embrace the past.
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To look for some kind of insight or meaning in pop songs is not really - well there's plenty of other places where you should probably look first before you start looking for it in a pop song.
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I've always been a fan of animation. As a kid, I used to watch a lot of the Saturday-morning cartoons, and I was always a fan of even claymation and that whole medium.
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You want to hear vocals? Go sing it.
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I associate times with certain music. It still is that for me. It's telling the story of our lives.
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I've been wearing Vans since I was a little kid. I wear them on stage, and I grew up skateboarding and surfing.
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Joe Walsh is somebody who... he's a writer, obviously, and he's a singer-songwriter, whatever, but at the end of the day, when it comes to the Eagles, he's there to play guitar, and he's there to supply whatever is needed for that band, and that is what I feel with Metallica.
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We enjoy playing small shows, big shows, whatever. There's the energy of the visual production, and all that stuff starts to happen, so when you see it come to life, it's pretty exciting.
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Music was the voice I didn't have.
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People are always spewing this horseshit about how age doesn't matter. Well, it does matter! I'm thirty-five, and I'm happy to be thirty-five. I can't pretend I'm still a snot-nosed 21-year-old.
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I guess that seeing yourself on a screen is something that you get used to. Let's face it, these days, there's really nothing that you do that doesn't get filmed.
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People say that being kicked out of Metallica is what drove me to be better and faster in Megadeth, but i was faster and better than Metallica when i was in Metallica.
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When I first heard the song 'Eruption,' which is Eddie Van Halen's most famous solo composition, I was confused because it sounded incredible, but I didn't know what it was. I didn't know if it was a guitar. I didn't know if it was a synthesizer or a keyboard. I couldn't figure it out.
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You can be an incredible player, but when you get onstage, you've gotta be yourself, and you've gotta bring it, as we say, and that just means give 120 percent.
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My guitar was a loyal person to me.
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Any time somebody is into your band that's a good thing. And if they're in a really cool, really popular band, that's a better thing.
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I went through a whole blues period in the Nineties, and that had some influence on 'Load' and 'ReLoad.'
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No one but me can save myself though its too late, death greets me warm, now i will just say goodbye.
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The great thing about Santa Monica civic auditorium was it was a place you could ride your bike to. In this case, my dad dropped me and my friends off, and we'd go see Ronnie James Dio or Jean-Luc Ponty or Weather Report or the Pretenders.