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We got a new song called 'Ashes in Your Mouth,' and it is NOT about a joint falling apart.
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Back then, I was really into composing the entire solo, beginning to end. I wanted to have it at least 80 to 90 percent complete before going into the studio. I didn't improvise in the studio. I was young, and I didn't really have the development in my playing or the ability to show up with nothing and then put down 500 ideas. I can do that now because I'm so much more of a musician now.
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James Hetfield, I mean, the minute he plugs in his guitar and adjusts the tone knob, he comes up with the world's greatest riff.
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With Metallica, it's hard. I tend to like it all, but the older stuff, when we get into the deeper cuts, it really excites me personally.
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I'm a person that takes on situations from passion. I get passionate about things, and I try to help.
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Brother will kill brother, Spilling blood across the land...
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I was fortunate to not get wrapped up too hard in anything that was too dangerous.
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Trios aren't really geared for slide unless you're gonna play chords, or play that simple George Thorogood style. It gets pretty thin when you play single note lines.
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You've gotta be careful because art is really important to most people, and you wanna respect that as much as possible. So I live by that rule.
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If you choose to take care of yourself, you're going to get more mileage for your career.
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Every time I'd go out drinking I was looking for something new. But it was the same every time. I'd wake up in some bed with some person, I had a hangover and a show to do. And the truth is, it was the same every time. But now life is... pretty interesting without the alcohol.
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Authority pisses me off. I think everyone should be able to drink and get loud whenever they want.
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I would have to say I'm bored with the standard rock, guitar solos, but I've done it for five albums now, and this time I wanted to go in a completely different direction. I wasn't interested in showing off any more.
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I think that young people should embrace artists like Lemmy from Motorhead but also be open to different styles.
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I just wanted to experiment with the bass, and my main influence from Jaco Pastorius inspired me to write music in a certain way.
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I like that Metallica has found a way to have these non-pedestrian arrangements but then the vocal melody is strong and intense. I've always appreciated that as a fan.
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Lars Ulrich is not a jazz drummer, but he grew up listening to jazz. Why? Because his father, Torben - an incredible tennis player - loved jazz. Jazz musicians used to stay at their house.
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Most of my guitars have been instruments that look cool. I'm not picky. I never think, 'Oh, this neck isn't made of ebony,' or, 'These strings don't feel correct.' It doesn't matter too much.
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'Justice' is the biggest challenge 'cause it's also complex in the arrangements.
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I've discovered that sheer quantity doesn't necessarily make for a heavier sound; if anything, overdubs make guitars sound mushier.
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If I know I'm going crazy, I must not be insane.
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Mike Clark, who's a really amazing surfer, got me back into surfing. I surfed a lot from '82 to '86, and then I kind of started slacking.
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You need to find a way to propel this creativity to the masses. People get brainwashed and they start to forget what's good.
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You listen to a Metallica song, and you listen to the drums, and they're not necessarily swinging, but the arrangements are different. Why is that? Because it's more in tune with jazz arrangements. It's very different. It's not a traditional rock and roll production, in terms of the drums.