Red Hot Chili Peppers Quotes
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It's weird, I was such a survivor and so wanted to be a part of life while I was trying to snuff out the life that was inside of me. I had this duality of trying to kill myself with drugs, then eating really good food and exercising and going swimming and trying to be a part of life. I was always going back and forth on some level.
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I like the idea of defying the convention of what it is to be in your 40s, or 50s, or 60s.
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The Meatbats are a throwback band.
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Every time you empty your vessel of that energy, fresh new energy comes flooding in.
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I had sort of exhausted all the avenues playing in Detroit. So again, through the stewardship of my brother, I ended up in California and went to the Musicians Institute in L.A. I wanted to get better as a player.
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I had to sit with my senses. This clear, beautiful intuition took over. I knew exactly how I felt, and I wasn't confused or clouded or compromised. I realized that none of my feelings had diminished, but I might have to lose someone I truly loved. I didn't want to run away from Claire, but I knew drug addiction was strong enough that I had to be willing, if need be, to let go of the person I'd just fallen in love with.
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My father rebelled ferociously against his conservative upbringing where his father physically abused him.
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I’m not a true vegan. I dabble in sustainable fish and dawdle in the consumption of eggs. Steak doesn’t speak to me, and tempeh is so-so. I’ll savor a solitary apricot that’s been kissed by my baby.
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Now I can look back and say I actually like the upbringing I had and my father was very attentive and a great educator.
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I don't think there should be a Rock and Roll Hall of Fame, period.
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Flea and Anthony are into funk, like old school Meters and stuff like that.
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I met the guys through a friend of a friend, and their former drummer had quit. I wasn't too familiar with the Chili Peppers before that, so I joined at the end of 88' and we finished recording Mother's Milk at the end of 89', next thing I know I'm in Spin with a sock.
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'Bowling For Columbine' and 'Gus Van Sant's Elephant' really intrigued me. With 'Bowling For Columbine', I think Michael Moore just gave the perfect exploration of both the mass media interpretation of the event and going into the minds of these kids. These were messed-up kids who had hit a point of no return.
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Writing music always happened for me in periods when I wasn't under the influence of mind-altering substance.
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Sometimes, out of really horrible things come really beautiful things.
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That's really the thing that got me into playing a lot - getting excited about playing along with my favorite bands like Zeppelin and Black Sabbath.
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Family time is really important to me.
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You can't have the word 'fantasy' or 'fantastical' without a contrast. It has to stem from a grounded experience.
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I inherited my father's insatiable desire to meet all the beautiful girls in the world.
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The Chili Peppers do a lot of improvising, but it's within the framework of song structures. The Meatbats is from a purely instrumental standpoint. But when you hear the term 'instrumental music' you think it's real serious stuff and everybody's playing a million notes and it's about playing fast. That's not what we do.
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The collective love for music and poetry and just the brotherhood of sound. And it's still kind of flowing through me and I attribute that to the team.
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I'm impressed with a 90 year old woman who's still out and about.
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...for the first time in my life, a voice went off in my head:'You have no power over what happens in your life. Drugs dictate exactly what you're going to do. You've taken your hands off the steering wheel, and you're going wherever the drug world takes you.' That had never changed. The feeling would well up inside of me, and no matter how much I loved my girl or my band or my friends or my family, when that siren song 'Go get high now' started playing in my head, I was off.
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'Fast Times At Ridgemont High' is one of my favorite movies; it's a film that's a human comedy, it's a drama, and the characters all, in a way, fit the teenage archetypes, but they don't become stereotypes because each of the actors brought their own presence and their own personality to the screen.