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I was sleeping in the woods one night after a gig we'd played somewhere, when I saw this girl appear before me. That girl was Emily. (on how he wrote "See Emily Play") "Chapter 24"-that was from the "I Ching", there was someone around who was very into that, most of the words came straight off that. "Lucifer Sam" was another one-it didn't mean much to me at the time, but then three or four months later it came to mean a lot.
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I was faced with a choice: to deny my addiction and embrace that 'comfortably numb' but 'magicless' existence, or accept the burden of insight, take the road less travelled, and embark on the often painful journey to discover who I was and where I fit.
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By the cold and religious we were taken in hand - shown how to feel good; and told to feel bad.
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We're not ignored by The Guinness Book Of Records, but we've been largely ignored by the media during our lifetime. If you read any article, no mention is ever made of Pink Floyd. We're never included in the same sentences as The Beatles, The Rolling Stones and The Who. I wrote 'The Wall' as an attack on stadium rock - and there's Pink Floyd making money out of it by playing it in stadiums! Pathetic. They spoiled my creations.
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We are all brothers and sisters under the skin and above it . . . it's super important that we stop lobbing bombs over the top of the wall and start trying to dismantle it, so that we can say 'hi' to whoever is on the other side, whether the divide is religious or nationalistic or politic or economic.
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There is no dark side of the moon really. Matter of fact it's all dark.
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My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around … I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.
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Wish You Were Here So, so you think you can tell Heaven from Hell, Blue skys from pain. Can you tell a green field From a cold steel rail? A smile from a veil? Do you think you can tell? And did they get you to trade Your heros for ghosts? Hot ashes for trees? Hot air for a cool breeze? Cold comfort for change? And did you exchange A walk on part in the war For a lead role in a cage? How I wish, how I wish you were here. We're just two lost souls Swimming in a fish bowl, Year after year, Running over the same old ground. What have we found? The same old fears. Wish you were here.
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It is absolutely beautiful, isn't it? And its a sort of over two years before any of the other recordings she did. That is her singing at the age of 16, and having written those extraordinary lyrics - about whatever they're about.
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I'm disappearing, avoiding most things.
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You only have to read the lines of scribbly black and everything shines.
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Grocery spending does not increase when a new competitor comes into the market.
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For me, playing music is like meditating - I just play and don't really think about what I'm doing, I just let it happen.
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Hanging on in quiet desperation is the English way.
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I'm treading the backward path. Mostly, I just waste my time.
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And who knows which is which and who is who.
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I could have been an architect, but I don't think I'd have been very happy. Nearly all modern architecture is a silly game as far as I can see.
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In one fell swoop we can now see the same mental health benefits of marriage for same sex couples as heterosexual couples, the main reason there is a benefit to being in a legally recognized marriage is that it introduces a level of stability into a relationship. This is going to help change the social climate. Hearing the Supreme Court say this is OK will help couples feel like they're part of regular society.
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Don't bait your breath. That's bad for your health.
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I wrote the tunes and sang only nonsense words. Then came Moore and dressed them with the lyrics.
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I listen to classical music at home probably more than pop music.
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I have no problem with any question.
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When you realize that you have a little germ of an idea that has - I suppose I can only say, has to me - a little taste of magic to it. You have this idea that there are millions, literally, of people listening to it at the same time as you and that little strange telepathy of a feeling that you're sharing something live with all those people.
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Part of the reason I'm doing Us + Them tour is to play my part in trying to spread the message that cooperation is a better way to resolve conflicts than confrontation. That bridges are better than walls, that nationalism and exceptionalism is destroying our world and destroying our lives.