Pink Floyd Quotes
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I could have been an architect, but I don't think I'd have been very happy. Nearly all modern architecture is a silly game as far as I can see.
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When you realize that you have a little germ of an idea that has - I suppose I can only say, has to me - a little taste of magic to it. You have this idea that there are millions, literally, of people listening to it at the same time as you and that little strange telepathy of a feeling that you're sharing something live with all those people.
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Part of the reason I'm doing Us + Them tour is to play my part in trying to spread the message that cooperation is a better way to resolve conflicts than confrontation. That bridges are better than walls, that nationalism and exceptionalism is destroying our world and destroying our lives.
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I don't feel as if I'm in competition with myself; not at all.
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In the finished article, the only thing that is important is whether it moves you or not. There is nothing else that is important at all.
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I can remember a lot of nights performing in those early years where you felt that you hit some good moments, but a lot of the time you're thinking, "Oh, God, this isn't quite making it." So I think that is what makes you in the end refine your view of things a little bit.
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Everything in moderation - that's what I live by.
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Did you see the frightened ones, Did you hear the falling bombs, Did you ever wonder why we had to run for shelter in the promise of a brave new world unfurlled beaneath the clear blue skies. Good bye blue skies.
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When I first got a guitar, it was a Spanish, classical thing.
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For us the most important thing is to be visual, and for the cats watching us to have fun. This is all we want. We get very upset if people get bored when we're only half way through smashing the second set.
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Sometimes I play something, and I haven't recorded it, and I don't know where it came from, why my hands did what they did, what key it was in, anything.
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The internet seems to be what a lot of independent bands are doing these days. They're bypassing the studio - the big studios, EMI and all the record companies - and just doing it themselves, online, selling their stuff, getting known through that medium.
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We worked very hard to make the lyrics suit the music. I can't, like Elton John, for example, compose by lyrics. Elton has a great talent for that. Whatever you give him, including your questions, he composes in half an hour and makes a great song out of it.
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The only work I've done the last two years is interviews. I'm very good at it.
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I tend to jot down music.
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The reality is, like any band, you can never quite quantify who does what.
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Jimi Hendrix isn't as good as me!
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There were a lot of gifted amateurs in my day. Most of the kids now play fantastically well. I think there are so many bands around now who might get there, but it's a tougher journey.
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I've just had an operation, but nothing too serious.
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I don't know what you wanna describe as Rock 'n' Roll, but I certainly thought that 60s stuff, Bob Dylan and the Beatles, changed the world a little bit. But the effect seems to have retreated. I think it's harder than we think to change the world. These things go in cycles. It doesn't seem to have done an awful lot of good, does it? You know, all the talk of racial harmony and equality in the world... we haven't got a long way since the 60s.
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It's a magical thing, the guitar. It allows you to be the whole band in one, to play rhythm and melody, sing over the top. And as an instrument for solos, you can bend notes, draw emotional content out of tiny movements, vibratos and tonal things which even a piano can't do.
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I'm an atheist, and I don't have any belief in an afterlife.
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And what exactly is a dream and what exactly is a joke.
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Little ideas can pop into one's head at any time, and if I'm being reasonably efficient I've got it close enough to hand, then I pop that little tiny moment of a few seconds down onto a tape and then I can forget about it for... years sometimes.