Pink Floyd Quotes
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I could have been an architect, but I don't think I'd have been very happy. Nearly all modern architecture is a silly game as far as I can see.
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The old ways still apply. You can still send tapes to record companies, and there are record companies, you know, there are one or two of the record companies do declare proudly that they listen to every single one that comes.
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I don't, consciously anyways, sort of listen to things with the idea of getting something from them that I can use.
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There's no way out of here.
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Have you seen the roses? There's a whole lot of colours.
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The only work I've done the last two years is interviews. I'm very good at it.
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When you're in the car, how well you do is down to you and you alone-no band, no management, no marketing.
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We mixed the sounds ourselves. If they were going to put the sound back onto our film [Pink Floyd: Live at Pompeii.], we wanted to mix it ourselves.
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The GTO is such an important car because it's a racing car and a touring car and that's pretty unusual.
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I listen to classical music at home probably more than pop music.
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There are so many people out there who think they are fans of Pink Floyd - and certainly the work I did in Pink Floyd - who are still furious that I left.
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It's always been too slow for me. Playing. The pace of things. I'm a fast sprinter. The trouble was, after playing in the group for a few months, I couldn't reach that point.
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I can remember a lot of nights performing in those early years where you felt that you hit some good moments, but a lot of the time you're thinking, "Oh, God, this isn't quite making it." So I think that is what makes you in the end refine your view of things a little bit.
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When we grew up and went to school There were certain teachers who would Hurt the children any way they could By pouring their derision Upon anything we did Exposing every weakness However carefully hidden by the kids.
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Make life an art rather than art from life.
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There are so many ingredients that are contained in 'The Wall' that were not necessarily contained in other Pink Floyd records, particularly following on from 'Animals,' which was very spare and sparse. Production on it was much more massive, the complexity of the recording was much more intense.
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Watching something being constructed, whether you're passing a building site or whether you're watching an artist at work, is fascinating, and I think that's the enjoyment.
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I went to a school in Cambridge, which I thought was completely rotten. Yes, hated it. Now they want me to go back there and support this, that, and the other and I haven't managed to pluck up the courage to even face it yet.
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Don't bait your breath. That's bad for your health.
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And what exactly is a dream and what exactly is a joke.
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There is no dark side of the moon really. Matter of fact it's all dark.
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Living in Cambridge, with nature and everything, it's so clean.
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Ever since the Beatles, the concept of lovable mop tops, it's a bit of a fantasy, but it's a lovely idea that people make wonderful music and live a wonderful life being friends together. Sadly, life isn't quite like that.
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I think a lot of things do influence me, but the influence mechanism is as such that these things dive into your brain and bury themselves into your subconscious and you're never quite sure where and how they're going to emerge. I don't think I really take direct influence.