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All that you touch All that you see All that you taste All you feel. All that you love All that you hate All you distrust All you save. All that you give All that you deal All that you buy, beg, borrow or steal. All you create All you destroy All that you do All that you say. All that you eat And everyone you meet All that you slight And everyone you fight. All that is now All that is gone All that's to come and everything under the sun is in tune but the sun is eclipsed by the moon. "There is no dark side of the moon really. Matter of fact it's all dark.
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I don't feel as if I'm in competition with myself; not at all.
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In the finished article, the only thing that is important is whether it moves you or not. There is nothing else that is important at all.
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I've never had any religion. I'd prefer it if I did, really. Even as a boy I just couldn't make myself believe.
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When I first got a guitar, it was a Spanish, classical thing.
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I haven't watched it [the film 'Pink Floyd at Pompeii'] in years. I find it excruciating.
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I can remember a lot of nights performing in those early years where you felt that you hit some good moments, but a lot of the time you're thinking, "Oh, God, this isn't quite making it." So I think that is what makes you in the end refine your view of things a little bit.
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Did you see the frightened ones, Did you hear the falling bombs, Did you ever wonder why we had to run for shelter in the promise of a brave new world unfurlled beaneath the clear blue skies. Good bye blue skies.
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For us the most important thing is to be visual, and for the cats watching us to have fun. This is all we want. We get very upset if people get bored when we're only half way through smashing the second set.
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Everything in moderation - that's what I live by.
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Sometimes I play something, and I haven't recorded it, and I don't know where it came from, why my hands did what they did, what key it was in, anything.
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I tend to jot down music.
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The internet seems to be what a lot of independent bands are doing these days. They're bypassing the studio - the big studios, EMI and all the record companies - and just doing it themselves, online, selling their stuff, getting known through that medium.
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The only work I've done the last two years is interviews. I'm very good at it.
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And what exactly is a dream and what exactly is a joke.
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The reality is, like any band, you can never quite quantify who does what.
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Jimi Hendrix isn't as good as me!
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Well, I'm a painter, I was trained as a painter…I seem to have spent a little less time painting than I might've done…But it didn't transcend the feeling of playing at UFO and those sort of places with the lights and that, the fact that the group was getting bigger and bigger.
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We worked very hard to make the lyrics suit the music. I can't, like Elton John, for example, compose by lyrics. Elton has a great talent for that. Whatever you give him, including your questions, he composes in half an hour and makes a great song out of it.
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There were a lot of gifted amateurs in my day. Most of the kids now play fantastically well. I think there are so many bands around now who might get there, but it's a tougher journey.
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And if your head explodes with dark forebodings too I'll see you on the dark side of the moon.
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I tend to fly old airplanes and old sort of things that are nearly about as old as me. Biplanes and stuff like that.
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When you're in the car, how well you do is down to you and you alone-no band, no management, no marketing.
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I haven't felt compelled to go back in the studio and do anything serious. I have a little sort of home studio thing which I potter about in occasionally.