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I'm afraid I haven't become a born-again Christian. I'm sort of 'Church of England, lapsed' is about as far as I go.
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The future is deterministic in principle, but not in practice.
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Of course, with the people you really know, no one changes that much.
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We already had all the songs, and it turns out all you have to do is burn them to some CDs, so why not?
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I think a lot of things do influence me, but the influence mechanism is as such that these things dive into your brain and bury themselves into your subconscious and you're never quite sure where and how they're going to emerge. I don't think I really take direct influence.
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I would not rule out going to Israel because I disapprove of the foreign policy any more than I would refuse to play in the UK because I disapprove of Tony Blair's foreign policy.
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I went to a school in Cambridge, which I thought was completely rotten. Yes, hated it. Now they want me to go back there and support this, that, and the other and I haven't managed to pluck up the courage to even face it yet.
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We mixed the sounds ourselves. If they were going to put the sound back onto our film [Pink Floyd: Live at Pompeii.], we wanted to mix it ourselves.
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We, the great American nation, decided that we've got 138 military bases around the world and we've now figured out that we can buy these drones from the Israelis, and we've decided that the way to proceed is to use this new technology to go and kill anybody that we don't like or who disagrees with us or who we might perceive as making an existential threat.
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I don't really listen to Radiohead. I listened to the albums and they just didn't move me in the way, say, John Prine does. His is just extraordinarily eloquent music.
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But that's not to say that the potential for the sun to shine doesn't exist. You know? Walk down the path towards the light, rather than walk into the darkness.
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People being incredibly rude and playing music incredibly badly and being incredibly obnoxious has always been a teenage sort of thing.
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There are so many people out there who think they are fans of Pink Floyd - and certainly the work I did in Pink Floyd - who are still furious that I left.
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Being a musician, being a person who's playing tours and making records is a part-time thing for me at age. I did it, I lived it and I breathed it every day of my life for 30-odd years and now I am slowing down a little bit. But it does not mean that I am any less intense and dedicated to the work that I am doing now. I have other priorities in life as well.
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I wasnt always this introverted.
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The problem now with changes in the music industry is that there's almost no point in making records anymore. The only thing really is to tour, and then you're revisiting history. Maybe it's better to leave it, if you see what I mean.
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...why is an artist an artist? Artists simply do feel and see things in a different way to other people. In a way it's a blessing, but it can also be a terrible curse. There's a great deal of satisfaction to be earned from it but often it's also a terrible burden.
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Part of the gestation of 'The Wall' was this business of alienation from the audience, and so the interesting thing was, what 'The Wall' eventually became was something that absolutely engaged the audience.
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Obviously, they're all a gang of idiots. But, you know... live and let live.
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Pompeii is an extraordinary place to be because it was preserved exactly as it was. There are many other sites. If you visit any other antiquity-type sites throughout the world, they're very damaged with what's gone on over the centuries since they were abandoned. But this one was just, like, sealed, so you're looking at rock surfaces and the carving of letters and names in the stones looks like it was done yesterday.
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In my rear view mirror the sun is going down sinking behind bridges in the road and I think of all the good things that we have left undone and I suffer premonitions confirm suspicions of the holocaust to come.
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There are so many ingredients that are contained in 'The Wall' that were not necessarily contained in other Pink Floyd records, particularly following on from 'Animals,' which was very spare and sparse. Production on it was much more massive, the complexity of the recording was much more intense.
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I’m not anything that you think I am.
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If you have a live reputation and your popularity is proven that way, then you're bound to get signed up because they see all those people buying those tickets and they think some of those people will buy those records, and that's what their business is primarily about.