Pink Floyd Quotes
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If you have a live reputation and your popularity is proven that way, then you're bound to get signed up because they see all those people buying those tickets and they think some of those people will buy those records, and that's what their business is primarily about.
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We mixed the sounds ourselves. If they were going to put the sound back onto our film [Pink Floyd: Live at Pompeii.], we wanted to mix it ourselves.
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Everyone goes to rotten schools when they're kids, don't they?
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Each small candle lights a corner of the dark.
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The problem now with changes in the music industry is that there's almost no point in making records anymore. The only thing really is to tour, and then you're revisiting history. Maybe it's better to leave it, if you see what I mean.
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Buying a Ferrari is like buying Château Pétrus if you like fine wines. It's the safe choice.
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Getting used to the studio and everything was fun, we freaked about alot. I was working very hard then.
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I don't really listen to Radiohead. I listened to the albums and they just didn't move me in the way, say, John Prine does. His is just extraordinarily eloquent music.
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Have you seen the roses? There's a whole lot of colours.
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I like watching sports, you know, all sorts of stuff.
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My mother told me I said to her, at age three, 'I'm going to go to Italy and get my father in a tractor.' 'You've never seen quite so fierce a little boy as you were,' she told me. She tried to explain that I couldn't get my father in a tractor. Apparently I looked at her and narrowed my eyes and said, 'In that case, I'm going in a double-decker bus,' and stomped off. Which is kind of funny, but it's very sad, as well.
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I'm English and I am British. I don't know if I feel part of a music scene. Musically, I have as many feelings and affinity with Americans or Canadians, or all sorts of people as I do with English people.
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There are so many ingredients that are contained in 'The Wall' that were not necessarily contained in other Pink Floyd records, particularly following on from 'Animals,' which was very spare and sparse. Production on it was much more massive, the complexity of the recording was much more intense.
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...why is an artist an artist? Artists simply do feel and see things in a different way to other people. In a way it's a blessing, but it can also be a terrible curse. There's a great deal of satisfaction to be earned from it but often it's also a terrible burden.
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I now believe when I'm dead and buried my tombstone will read, "I'm not entirely sure the band's over."
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It's always been too slow for me. Playing. The pace of things. I'm a fast sprinter. The trouble was, after playing in the group for a few months, I couldn't reach that point.
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Would you like to watch TV or get between the sheets and contemplate this violent freeway, would you like something to eat would you like to learn to fly would ya, would you like to see me try.
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Personally, I'm not very keen on the visualization of absolutely everything.
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One tends to look back at the mistakes as the same thing - relinquishing control of something at some point in your career.
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I think I'm still trying to be experimental on everything I ever do, but it's not as obviously way-out and experimental as what we were.
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You know, once you've had that guitar up so loud on the stage, where you can lean back and volume will stop you from falling backward, that's a hard drug to kick.
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I confess I've never felt like a passenger.
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I’m not anything that you think I am.
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I was brought up in a car family, my dad loved cars and I was taught the art of making an Austin 7 operate.