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For me, gradually over the years, you refined your tastes in the way you do things and it becomes maybe less experimental.
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In the future, bands are going to have to offer more than a pop show. They are going to have to an offer a well presented theatre show.
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You know, once you've had that guitar up so loud on the stage, where you can lean back and volume will stop you from falling backward, that's a hard drug to kick.
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All in all you're just another brick in the wall.
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Buying a Ferrari is like buying Château Pétrus if you like fine wines. It's the safe choice.
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I was brought up in a car family, my dad loved cars and I was taught the art of making an Austin 7 operate.
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You take the risk of being rejected. If you have pretentions to be an artist of any kind, you have to take the risk of people rejecting you and thinking you're an arsehole.
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I remember Adrian [Maben, director] had lots of problems with red tape and dealing with stuff. I think we lost two or three days. Maybe those were the days we had to walk around the summit of Vesuvius, and we went around to the sulfur pits where the ground is bubbling. It's near here. It's fantastic.
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I don't, consciously anyways, sort of listen to things with the idea of getting something from them that I can use.
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Watching something being constructed, whether you're passing a building site or whether you're watching an artist at work, is fascinating, and I think that's the enjoyment.
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I can't remember really what it's like to do it within Pink Floyd. In my mind, that's a thing of the past.
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It's a miracle was the last track recorded for the album, we based it on the rhythm from the middle of 'Late Home Tonight, where there's Graham Broad playing lots and lots of drums with me shouting in the background, pretending to be a mad Arab leader.
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Learning an instrument isn't about becoming a star anymore than learning to swim means you want to become a haddock.
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Can't you see it all makes perfect sense, expressed in dollars and cents, pounds shillings and pence, can't you see it all; makes perfect sense.
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We don't need no thought control.
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It's really tough to get happy music going, you know?
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I don't live my life on the road. I'm getting on a bit and there's a lot of other things in my life. Our lovely children and their lives. It's more of a part-time business these days.
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Doctor Doctor what is wrong with me This supermarket life is getting long What is the heart life of a colour TV What is the shelf life of a teenage queen.
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I'd like to be rich. I'd like a lot of money to put into my physicals and to buy food for all my friends.
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You can draw a line between what I'm interested in and what I'm not interested in. On one side you can name Dylan and Lennon, who observe the world and have feelings, and write songs directly from those feelings. On the vapid side you have pop groups who need material and write songs to fill the hole, rather than getting somebody else.
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The GTO is such an important car because it's a racing car and a touring car and that's pretty unusual.
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People are encouraged by what I do. You can feel it. I feel it. People are ready to embrace their humanity and to embrace the rest of the human race. People are ready for the idea that we're all brothers and sisters and that we need to cooperate with one another.
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I like songs that are simple.
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This is how you control your domestic population - by making people afraid and by identifying an enemy.