Pink Floyd Quotes
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In my rear view mirror the sun is going down sinking behind bridges in the road and I think of all the good things that we have left undone and I suffer premonitions confirm suspicions of the holocaust to come.
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I like watching sports, you know, all sorts of stuff.
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One tends to look back at the mistakes as the same thing - relinquishing control of something at some point in your career.
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Can't you see it all makes perfect sense, expressed in dollars and cents, pounds shillings and pence, can't you see it all; makes perfect sense.
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It's a miracle was the last track recorded for the album, we based it on the rhythm from the middle of 'Late Home Tonight, where there's Graham Broad playing lots and lots of drums with me shouting in the background, pretending to be a mad Arab leader.
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My mother told me I said to her, at age three, 'I'm going to go to Italy and get my father in a tractor.' 'You've never seen quite so fierce a little boy as you were,' she told me. She tried to explain that I couldn't get my father in a tractor. Apparently I looked at her and narrowed my eyes and said, 'In that case, I'm going in a double-decker bus,' and stomped off. Which is kind of funny, but it's very sad, as well.
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I’m not interested in teaching books by women.
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In the future, bands are going to have to offer more than a pop show. They are going to have to an offer a well presented theatre show.
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The GTO is such an important car because it's a racing car and a touring car and that's pretty unusual.
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You can draw a line between what I'm interested in and what I'm not interested in. On one side you can name Dylan and Lennon, who observe the world and have feelings, and write songs directly from those feelings. On the vapid side you have pop groups who need material and write songs to fill the hole, rather than getting somebody else.
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To be honest, I don't listen to groups, really. Hardly ever. I know I'm in one, but I don't like them very much.
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This is how you control your domestic population - by making people afraid and by identifying an enemy.
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But I also enjoy music outside the band. I've been doing production for other people, including Robert Wyatt. Check him out. The album we did together, 'Rock Bottom,' I think it's really lasted well. It's a 35-year-old album, but it worked.
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I don't want to be a full-time member of Pink Floyd all my life.
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Obviously record companies tend to be following what the scene is rather than making the scene.
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I was brought up in a car family, my dad loved cars and I was taught the art of making an Austin 7 operate.
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People are encouraged by what I do. You can feel it. I feel it. People are ready to embrace their humanity and to embrace the rest of the human race. People are ready for the idea that we're all brothers and sisters and that we need to cooperate with one another.
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I went to watch my father at Silverstone in the early 1950s, and I've still got the car he was in.
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The last thing we would want is for our fans to feel that we're trying to find the 17th opportunity to sell them the same song.
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Yes, there's a lot of the blues in my playing.
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I've sort of remarried a few years ago and have had a couple more children in the last couple of years. And so home life is taking up a lot of my time.
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I'm English and I am British. I don't know if I feel part of a music scene. Musically, I have as many feelings and affinity with Americans or Canadians, or all sorts of people as I do with English people.
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It's really tough to get happy music going, you know?
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You take the risk of being rejected. If you have pretentions to be an artist of any kind, you have to take the risk of people rejecting you and thinking you're an arsehole.