Twenty One Pilots Quotes
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Insecurity, for me, feels like the sensation of suffocating.
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From the beginning, my songwriting was from writing in a journal; it was completely unfiltered. I don't know if I really meant to show everyone this side of me, but when I saw how people resonated to the things I was saying, some of the questions I was asking, I realized I was not alone.
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Radio is a hungry monster that eats very fast.
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Josh is the guy in the band who's just so friendly and super, wanting to walk up to you and say, 'Hey, I'm Josh. I drum in this band, and I'm a big fan of you, and I really appreciate what you do.' Josh has all these great friends in the industry now.
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When you play a show or festival, people know what they're getting; they want it. Then you're thrown onto a show where people are watching TV in their houses, and whether they ask for it or not, we're being played in front of them. There's a lot of negative feedback.
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I think one of the toughest things is that balancing act of trying to maintain relationships while being on the road.
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We're constantly faced with decisions. A lot of times, the right ones take more work; it takes longer to see benefit: they're the long route.
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For a long time, we just played here - Columbus is a perfect place to work your way up and maybe build a fan base.
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One think that you notice about anyone that gets up on stage is that they don't really have a lot of self-awareness. It's kind of a trait that performers don't have because you just kinda just have to let go and do whatever you want to do on stage.
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If I were to give advice to someone that just started a band and how to get someone's attention, you've gotta have a central hub. For us, it was Columbus, Ohio.
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Even if it's a horrible venue - a bar that barely has a PA and no lighting - we're still there trying to get somebody to not forget us.
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There was a lot of pressure to find a genre and stick to it. People would tell me all the time, 'You can't be all things to everyone.' I would say, 'I'm not trying to be! I'm being what I want to be for myself.'
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Writing songs is kind of like a wrestling match to me. You have to pin it down and make it do what you want it to do.
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Sometimes you go to a show, and you see someone and think they're not there right now. They're performing, but it's muscle memory. There is no memorising some of the ways we put on a show.
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Blurryface is this character that I came up with that represents a certain level of insecurity.
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There are times when we look back and think, 'Do you remember when we had to lug a piano downstairs to a basement of some venue to play for five people?' We do a lot of reminiscing. It helps us keep our heads on straight.
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When Josh and I are recording a record, we're very mindful of how the music will manifest itself live. That's where we have to live every day. When we tour for the next record, I imagine there will be a new story to tell, and we'll introduce new characters.
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There's variables at every single gig. I look forward to those every night. We have a lot of things that happen in our show, a lot of people from the outside watching the show might think it's one schtick after the next. We promised ourselves we have to be there mentally. We have to be aware. We are forced to be aware.
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Some people would look at a backing track as something that would confine you, but it really frees us up. It's nice not to be strapped down to a certain spot when you're trying to put on a show.
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We do things differently. You don't have to worry about being part of a particular genre. You just go for it.
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A lot of things you do to cover up insecurities can be just as harmful to you as anything else.
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I think throughout the day; there are always lines or certain words, and I'll just keep notes in my phone. It might just be one or two words, and then that could inspire a whole song, lyrically.
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Our moms accuse us of selling out all the time, so we're still trying to cope with that. They claim to be true fans, like they've been there from the beginning, and they think that we've kind of, like, changed as humans.
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Growing up, money is important. And now I have a career where I'm making enough money to live. But I really want to give it to my parents, my family, charities, and people around me.