Eurythmics Quotes
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When I look at the majority of my own songs they really came from my own sense of personal confusion or need to express some pain or beauty - they were coming from a universal and personal place.
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To be labeled as a strong woman when you feel vulnerable is a strange place to be, because then you're, like, "Oh, I have to be strong now. But I don't feel strong. I feel alienated. I feel isolated. I feel that things are very surreal, and they're not authentic, and this is all just very overwhelming."
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To try to help people have babies in a healthy way and to celebrate the process of delivering a child which will be healthy is, I think, almost the best part of healthcare.
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I knew that I wanted to be a singer/songwriter when I was much younger and, um, I've been able to, you know, to realize that dream and I'm very pleased with that...I want to branch out. I want to write. I write poetry...Music is an extraordinary vehicle for expressing emotion-very powerful emotions.
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I haven't lived my life through my daughters. Some parents devote everything to their children, which must be so hard, and it's very beautiful. But I'm a working parent, so I've always kept my own life.
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Over the years, I was never really driven to become a solo artist, but I was curious to find out who I was as an individual creative person. It's taken some time, but now I feel I've truly paid my dues. I guess I'm at a point now where I'm more comfortable in my own skin.
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I have a calling in my soul, if you like, to try to make my life in some way worthwhile. What is the value of my existence?
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At times, I've been so absolutely terrified of what I was about to do, whether it was public speaking or performance. Whatever it was, sometimes it had me really, really shaking in my shoes, and I decided that I was going to do it no matter what. And, of course, the critic is there, and afterwards, there's this, "Was it good enough? Was it really all I wanted to say?"
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I sang a lot as a little girl and entered competitions. I loved singing in choirs, but it was as I got older that I really found my voice.
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The music scene in the '70s was like the United Kingdom in the '70s - we had a lot of unemployment, we had inflation, we had a lot of strikes going on, on a national scale, and a lot of discontent. That was reflected in the music.
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I'm not particularly attention-seeking.
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The contrast of the world that we live in and the world that is here in Aspen and the world inhabited by women who have no resources, little or no, very few resources - huge disparity.
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I used to be obsessed about how I presented myself. I didn't want other people dressing me because I didn't want to be treated like a clothes horse.
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I'm not living my life under the spotlight for anybody.
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The word feminism needs to be taken back. It needs to be reclaimed in a way that is inclusive of men.
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Dying is easy, it's living that scares me to death.
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Twerking is not feminism. Thats what I’m referring to. It’s not — it’s not liberating, it’s not empowering. It’s a sexual thing that you’re doing on a stage; it doesn’t empower you. That’s my feeling about it.
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I wouldn't have known when I was a teenager that when I was coming up to being a sixty-year-old woman that I'd be making music, I'd be recording music, talking about music, and incorporating my views on the world into the music-making. So it's a very rarefied place to be, and I'm very grateful for that.
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Fame for fame's sake is toxic - some people want that, with no boundaries. It's unhealthy.
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The dynamic between two individuals starts off with everything warm and nice and fabulous and good. Working and living together can serve you quite well, but when it starts to go wrong - oh, boy!
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Motherhood was the great equaliser for me; I started to identify with everybody.
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I've never been a social person.
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Pop stars are so busy having a career that they don't really have a lot of time for activism.
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I want people to start thinking about what it means to be HIV-positive and to ask questions about that.