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I trained myself by doing other people's songs in clubs way back when. And so I have no pride about doing covers. I love it. And being a song interpreter, to me, is just as important as, you know, putting your own thing out there. It's all about the soul - where the soul comes from.
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I would be on dates with guys, and the radio would be on, and if the Moody Blues song came on I couldn't concentrate on the guy; I would go straight into the music.
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We've been around for awhile, had a lot of success. Got a chance to sit around and go, 'Oh, yeah, we're pretty good.
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At that time a lot of young men didn't want to go to the war and kill. This guy that I fell in love with was one of those so he escaped to Canada and I followed him.
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We had a mother who could have been called a feminist. That's just how we were raised. Why do you have to go sulk off in some corner because you are a girl? What's the big deal?
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The electric guitar was a big step for me, but I didn't spend a lot of time trying to adjust. It wasn't like, 'Hey, little lady, come strap on this here big guitar.' We took it in steps as much as possible.
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Romantic love is just one aspect of love.
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I don't think we will use the 80s glossy sound again.
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Heart had originally relocated to Vancouver because Mike evaded the draft to protest the Vietnam war. We had to deal with a lot at that time - it was a tough period for the band.
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I'm a chameleon when it comes to guitar playing and like to stretch out into different territories.
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Everyone makes mistakes.
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Fleetwood Mac are more like a folk-rock band.
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One of the things I've heard musicians say that's true is, 'I would play for free. I would play music forever, but you have to pay me to travel.' I know we're always going to make music. The traveling part - that is the most wear and tear on any human.
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Rock evolved out of rebellion, so when you turn on the Billboard Awards or something like the Grammys, and there's no rock on there, that's a good sign - because that means that rock is not welcome inside of a pop format.
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What's important to me is love, especially that. What's important to me is growing and evolving. But ultimately, what's important to me is being real and being authentic. I've spent enough time in my life holding poses, playing roles.
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A dream set would include songs by other artists like Paul Simon, Joni Mitchell, and other favorites. More obscure Heart songs like 'Wait For an Answer' and 'Nada One' would be fun, plus fan favorites like 'Love Mistake' and 'Language of Love.' Endless possibilities.
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We see what music can do for people. Hell, we see what music does for us! When you see thousands of people out in front of you, it's fixing their lives. It's helping. It's healing. It's bigger than the inconvenience of jealousy or emotional storm clouds.
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It's a really bad idea to be in a band and get involved with each other.
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Most of our great influences were male rockers, like Led Zeppelin.
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I think there were a couple really good songs on 'Whirlygig.
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Harmony singing is my favorite thing to do in music!
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I love singing, and whenever I can sing some more vocal leads, I always covet the chance.
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We were wild-eyed hippies from the late '60s. We still had the exuberance of the mind-expanding '60s - that Tolkienesque, Zeppelin, androgynous, wood nymph, forest fairy kind of innocence. It sounds stupid now, but we felt we were changing the world with music.
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I've been through a lot of heartache in my day, and you turn to music to prop yourself up. It's a healing thing, and it's a powerful, powerful, beautiful thing.