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I play a lot of classical music around the house.
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We don't really intentionally try to sound like ourselves. I think that would be overthinking.
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Ann and I were the main writers in Heart. We had the leadership role, and the guys in the band sometimes had a hard time with that.
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We're trying to elevate humanity and not preach to humanity in the way we approach our art. We're always just trying to get a good party going.
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We didn't want to be the girlfriends of the Beatles. We wanted to be the Beatles.
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Heart's always been sort of like a cockroach. You can set off a bomb, and it'll still be alive underneath.
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We see people from 6 to 60 years old at the shows.
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We really had boundless optimism about the place of music in the culture - and in the world.
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I got married, which opened me up to a whole new way of feeling about life, which in turn reflected on the way I do my art, you know.
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There was a lot of procrastination on Cameron's part because of the personal nature of 'Almost Famous.' There was a lot of deep, dark doubt about even doing it. I don't mind being a cheerleader, but I did reach my limit quite a few times. I do my own writing, so I understand, but I was pushed to the point of anger with the insecurity of it.
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We always had a lot of admiration for feminists who were out there trying to change things for the better for women, who were trying to find equality in the workplace and at home.
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I'm a Katy Perry fan, and I took my kids to go see her, and it was a great show, and she really can sing, and she really can play.
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Sleazy people are always in this business. They run the business, pretty much. There are a lot of barracudas.
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People can't just listen to the music and have their own imagination and take them where they wanna go.
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No way, because there's love relationships, there's sex relationships and then there's the band.
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We're not just 'ladies in rock.' We're weird people!
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We get notes sent to us backstage from college students that say, 'My parents used to play your albums all the time! I grew up with you, and I love the new stuff.
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We had the idea as women that we could walk into music and be good at it and be as good as any man and have a career in it without being taken advantage of. So basically, those things came true. The obstacle course was just more difficult than we ever anticipated. We were optimistic and very naive.
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We came from an era when women normally did not rock.
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We struck out on our own in suburbia with parents who actually helped us get where we needed to go.
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We always wanted to do a children's book of some form or another.
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In many ways, we might compare to The Pretenders more than others, but still, we created our own category.
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I'm a little bit more unusual so I consider myself as the black sheep.
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Heartless is something Ann and I wrote together.