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When Paul and I were first friends, starting in the sixth grade and seventh grade, we would sing a little together and we would make up radio shows and become disc jockeys on our home wire recorder. And then came rock and roll.
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You have underestimated my power, as you will shortly discover.
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The words come. Usually, it's a long time before they come. And then when they start to come, it doesn't take so long for it to be finished. It takes a long time to begin. And then it sort of gets finished.
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It seems to me that at 19 or 20, a young man is burning to be great at something. I was. You have a vision that's beyond the neighborhood. You want to make a mark while you're alive. You don't know exactly your future, but you want to be great at it. And greatness is an important word. And you dare not tell anybody how extreme and how burning are your visions, because you don't want anybody to mess with them
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I have my books And my poetry to protect me; I am shielded in my armor, Hiding in my room, safe within my womb. I touch no one and no one touches me. I am a rock, I am an island.
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Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don't like to perform.
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I was a student at Columbia College, actually, in the Architecture school. Paul would drive in from Queens, showing me these new songs. I can't remember us working it out.
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Serious numbers will speak to us always.
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I met my old lover on the street last night, she seemed glad to see me.
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These are the days of lasers in the jungle, staccato signals of constant information.
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I would start seeing, in just the sense I was saying now, the kind of record it was going to be and what the arrangement demands, and what my vocal part should be in the record. This was all emerging as the song was emerging.
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So its mix and match. Hold your line when you really feel something youre saying is wonderful and you really want to get this point across and prove it to your partner by just throwing it into the tape and letting it speak for itself.
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I see a correlation between short stories and songs, because of their length and for what they're meant to evoke. Combine certain words with melodies and it all becomes very moving.
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Losing love is like a window in your heart.
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We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation.
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Justice Stevens is one of those who are most sensitive to the least powerful in our society.
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...music is sometimes the only benign avenue of communication between antagonists.
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When I first heard Elvis perform "Bridge Over Trouble Water" it was unbelivable,and I thought to myself, how the hell can I compete with that?
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Monterey was the Maraschino cherry on top of the Sundae that was the '60s. It was totally unprecedented, and the audience was unprecedented in their joy.
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We've survived by believing our life is going to get better.
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Records have images. There are wet records and dry records. And big records.
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Everything worth doing starts with being scared.
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I don't know what I'm going to write when I begin to write. It feels like you are walking down a path, but you can't see around the bend and you don't know where you are going to go, which is fun.
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I'm going to Graceland, for reasons I cannot explain. There's some part of me wants to see Graceland. And I may be advised to defend every love, every ending, or maybe there's no obligations now. Maybe I've a reason to believe we all will be received in Graceland.