New Order Quotes
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I remember feeling as though I’d been sitting in a darkened room all of my life—comfortable and warm and safe and quiet—then all of a sudden someone had kicked the door in, and it had burst open to let in an intense bright light and this even more intense noise, showing me another world, another life, a way out. I was immediately no longer comfortable and safe, but that didn’t matter because it felt great. I felt alive.
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We played at a festival in Mexico City, at the same time as another famous artist, and I reckon we had 55,000 people watching New Order; the other had 7,000. I think from that I've discovered the secret of success in the music industry: don't do any promotion.
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I remember that Martin Hannett once had an idea of making a record and burying it in his garden so that one day someone would dig it up, like a time capsule.
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There's only two choices when life goes wrong. You deal with it, or you check out, and, like 90% of people, I go for the former.
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Nobody is the same. If we were all the same it would be bloody boring.
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'Blue Monday' is a dance track with a hint of melancholy.
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I see all the musicians in Blur with equal standing, really.
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If you choose to take a path in life, don't blame other people for the path you've chosen to take.
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Joy Division finished the 1970s on a high. Our debut album, 'Unknown Pleasures,' was doing well; we'd just finished a hugely enjoyable and successful tour. The band's profile was higher than it had ever been, and it seemed to be growing by the day.
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When Joy Division started, I was scared to death of having to get a normal day job.
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I suppose it was karma that Substance would then turn out to be our biggest-selling album ever; we gave away our biggest-selling record to the record company at a reduced cost – for no reason other than they couldn’t pay us for the other ones at the full rate because of bad management.
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There's no future for New Order.
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You reply to a fan, you get a fan for life, Rob would say. I should put that in my rules for a group, really.
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There's a tendency when you write a book to portray yourself as the hero.
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Los Angeles produced the Beach Boys. Dusseldorf produced Kraftwerk. New York produced Chic. Manchester produced Joy Division.
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We had wanted to use a final sample to finish the twelve-inch track off, “That’s All Folks!” from the Warner Brothers cartoons. But we were quoted $30,000 for one use. And we were on their label. Just shows you . . . no favouritism.
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Before you go thinking I’m some kind of King Canute – it was my stance against programmed music that made our sound the way it was (even if I do say so myself), keeping it a hybrid of rock and dance: the sound of the future. Instead I decided to bury myself in the recording process, becoming the band’s recording engineer.
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I think people expect mud at festivals, I think you'd be asking for your money back if you didn't get it.
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We were like, ‘Hey, what are you doing!?’ but soon twigged they were trying to give us a proper Japanese welcome by carrying our bags for us. Great. This was the life. Then we looked round and saw Gillian still struggling with hers. Turns out that in this culture they don’t help a woman. We got her a trolley.
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It was only after we recorded Unknown Pleasures that I could hear and begin to take notice of the words, and it was quite startling then to see how they changed between that album, where they were still quite detached and aggressive, to Closer, which is even darker and not detached at all but really introspective and quite frightening—especially of course when you listen to it in light of what later happened.
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I never met Morrissey.
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Movement came out while we were away. The reviews were OK, and though I grew to like it more and more as the years went by, we weren’t especially happy with it at the time. When we listened to the finished product what we heard was the sound of a band whose producer had lost faith. You could hear it. The album had ended up sounding like a Joy Division album with New Order vocals.
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We've had a problem finding a vocalist. We have not been lucky yet to find the one. I think the problem is that the three of us have such a pedigree of vocalist, that if we come out with someone that's not good we'll obviously be slated!
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I didn't want children until my late thirties because my career was taking off, and I was having such a good time in New Order. But when you have children, you have to make decisions; I always wanted to stay at home with my kids.