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While it's a great indulgence, it's also very interesting to have three bass players on the same track.
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Also something that you don't have to listen to from beginning to end - you can enter at any point and leave at any point.
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I've got a feeling that music might not be the most interesting place to be in the world of things.
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I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
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There are hundreds of manufacturers always producing dvices that in general do the same things. Since they have slight structural differences if you take one and fool around with it and give it a good kick it will actually do something that it wasn't designed to do. I have this relationship with my synthesizers. I've had them for so long, and I've never had them serviced, so that now practically all of their functions operate differently from what they were designed to do. They do very interesting things now, but that means nobody else can use them either.
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The time I like listening to music most on headphones is, I have a game I play with my brother, he's a musician as well.And he sends me MIDI files of keyboard pieces. So, these are pieces where I just get a MIDI file; I don't know what instrument he was playing them on; I know nothing about his section of the sound of the piece, and then when I'm sitting on trains I do a lot of train travel I turn them into pieces of music. And I love to do that; it's my favorite hobby.
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When I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it's done so I would recognise when I was being lied to.
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I think, if you spend a day or - as many people do - a life working only with that aspect of your being, the cerebrum connected to a finger, I feel that the rest of you atrophies, essentially.
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Be the first to not do what nobody has ever thought of not doing before.
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The artists of the past who impressed me were the ones who really focused their work.
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I'd love to follow the Tour de France one day. It's a really exciting spectacle. I've only seen it once as it was coming into Paris and that was very exciting for me. I have memories of that.
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Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing - 'Oh, let's put that sentence there, let's get rid of this' - have become commonplace in films and music too.
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All those rappers, they're the only glamorous people working in music now. They dress up in these chains of gold, cars, girls and this and that, high-heeled shoes.
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I like to think Duke Ellington would probably embrace a fragrance as well.
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The reason conservatives cohere and radicals fight: everyone agrees about fears, no one about visions.
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I know that if I had a television in my flat I would convince myself that everything on it was really interesting. I would say, 'I'm a Celebrity - Get Me Out of Here!' is so sociologically fascinating that I think I'd better watch.
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The lyrics are constructed as empirically as the music. I don't set out to say anything very important.
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I like the idea of a kind of eternal music, but I didn't want it to be eternally repetitive, either. I wanted it to be eternally changing. So I developed two ideas in that way. 'Discreet Music' was like that, and 'Music for Airports.' What you hear on the recordings is a little part of one of those processes working itself out.
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When governments rely increasingly on sophisticated public relations agencies, public debate disappears and is replaced by competing propaganda campaigns, with all the accompanying deceits. Advertising isn't about truth or fairness or rationality, but about mobilising deeper and more primitive layers of the human mind.
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Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature... The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.
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The most important thing in a piece of music is to seduce people to the point where they start searching.
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I think that there's something that I still like about the fact of a package, like the latest report from somebody. "Okay, this is what they're up to now; this is what they're doing; who's working with them?
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I would like to see a future where artists think that they have a right to contemplate things like global warming.
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I met John Lennon and he was with his wife in Tokyo. I met him there.