Roxy Music Quotes
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Avant-garde music is sort of research music. You're glad someone's done it but you don't necessarily want to listen to it.
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When I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it's done so I would recognise when I was being lied to.
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I have the '77 Million Paintings' running in my studio a lot of the time. Occasionally I'll look up from what I'm doing and I think, 'God, I've never seen anything like that before!' And that's a real thrill.
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There are hundreds of manufacturers always producing dvices that in general do the same things. Since they have slight structural differences if you take one and fool around with it and give it a good kick it will actually do something that it wasn't designed to do. I have this relationship with my synthesizers. I've had them for so long, and I've never had them serviced, so that now practically all of their functions operate differently from what they were designed to do. They do very interesting things now, but that means nobody else can use them either.
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Part of me likes a more ragged, jagged guitar sound or performance, but our work might not have been as innovative had we followed in the footsteps of what came before. We were very proud of what we had hit on.
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I've got a feeling that music might not be the most interesting place to be in the world of things.
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The time I like listening to music most on headphones is, I have a game I play with my brother, he's a musician as well.And he sends me MIDI files of keyboard pieces. So, these are pieces where I just get a MIDI file; I don't know what instrument he was playing them on; I know nothing about his section of the sound of the piece, and then when I'm sitting on trains I do a lot of train travel I turn them into pieces of music. And I love to do that; it's my favorite hobby.
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All those rappers, they're the only glamorous people working in music now. They dress up in these chains of gold, cars, girls and this and that, high-heeled shoes.
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I know that if I had a television in my flat I would convince myself that everything on it was really interesting. I would say, 'I'm a Celebrity - Get Me Out of Here!' is so sociologically fascinating that I think I'd better watch.
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Also something that you don't have to listen to from beginning to end - you can enter at any point and leave at any point.
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As you get older, you get a bit more serious.
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I was always more of a rock drummer than an experimental drummer.
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I like to think Duke Ellington would probably embrace a fragrance as well.
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I met John Lennon and he was with his wife in Tokyo. I met him there.
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Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature... The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.
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I'd love to follow the Tour de France one day. It's a really exciting spectacle. I've only seen it once as it was coming into Paris and that was very exciting for me. I have memories of that.
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I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
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The reason conservatives cohere and radicals fight: everyone agrees about fears, no one about visions.
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I think that there's something that I still like about the fact of a package, like the latest report from somebody. "Okay, this is what they're up to now; this is what they're doing; who's working with them?
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Software options proliferate extremely easily - too easily, in fact - because too many options create tools that can't ever be used intuitively. Intuitive actions confine the detail work to a dedicated part of the brain, leaving the rest of one's mind free to respond with attention and sensitivity to the changing texture of the moment.
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The artists of the past who impressed me were the ones who really focused their work.
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I think there's a lot of similarity between what people try to do with religion with what they want from art. In fact, I very specifically think that they are same thing. Not that religion and art are the same, but that they both tap into the same need we have for surrender.
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The most important thing in a piece of music is to seduce people to the point where they start searching.
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I describe things in terms of body movements. I dance a bit to describe what sort of movement it ought to make, and that's a good way of talking to musicians. Particularly bass players.