Brian Eno Quotes
I like the idea of a kind of eternal music, but I didn't want it to be eternally repetitive, either. I wanted it to be eternally changing. So I developed two ideas in that way. 'Discreet Music' was like that, and 'Music for Airports.' What you hear on the recordings is a little part of one of those processes working itself out.
Quotes to Explore
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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Music was a way of rebelling against the whole rah-rah high school thing.
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When I'm doing just music all the time, it can get really overwhelming. It's always challenging to switch it up a bit. And just because you're a musician, it doesn't mean that music is your only creative outlet.
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And after I compose my programs, but it is very easy because I look to the music in a very natural way without fuss, and so I look always music, in my home, like books and books and books, choose books and you read the pages, so I do this with music, and I make programs.
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The idea of music is to liberate the listener and lead him to a frame where he feels he is elevated.
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As much as I don't want to admit it, my fans are the only ones that can hurt my feelings when they're not pleased with what I'm presenting. I want it to be perfect for them. I want them to have a different sense of pride in my music.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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I just want to make a classic. Classic is the standard. I'm just trying to make music that will last a lifetime.
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I am a friend when I need to be a friend, a father when I need to be a father, a musician when music calls. I switch roles accordingly.
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I actually spend very little time listening to any new music.
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Young kids should be doing music that has shock value. They'll grow out of it.
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I like being 35, I like having a bit of money to spend on music and useless gadgets. The net is providing new ways to communicate and cooperate that just didn't exist in the 80s.
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I listened to country music my whole life. I started writing music when I was a teenager. It all came out country.
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I'm very honest in my music and I'm often asked to explain the lyrics; as an introvert, I find that quite hard. And I always wear high heels on stage, which can be painful.
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Music is the best means we have of digesting time.
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I don't think I'd ever make an album of just covers because I love writing my own music.
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I go into military communities and do fundraisers and that kind of thing with the band, because I know that the music can help do a lot of things. It can bring communities together, it can raise awareness... and it entertains.
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I have considered rap music stars, and there is one in my new book, Lovers and Players, and there is also a hip-hop music mogul who I think you will like a lot.
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I wanted a name I could shape the music towards. I was going to Miami quite a lot at the time, speaking a lot of Spanish with my friends from Cuba - 'Lana Del Rey' reminded us of the glamour of the seaside. It sounded gorgeous coming off the tip of the tongue.
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But I feel music has a very important role in ritual activity, and that being able to join in musical activity, along with dancing, could have been necessary at a very early stage of human culture.
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Politics has always been in my music. Anybody who doesn't understand how political "Copperhead Road" is isn't listening very well.
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If you can make a character likable that's not very nice, that's the challenge of the job.
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If it can be profitable to be green, that's just smart business.
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I like the idea of a kind of eternal music, but I didn't want it to be eternally repetitive, either. I wanted it to be eternally changing. So I developed two ideas in that way. 'Discreet Music' was like that, and 'Music for Airports.' What you hear on the recordings is a little part of one of those processes working itself out.
