Natasha Bedingfield Quotes
I'm very honest in my music and I'm often asked to explain the lyrics; as an introvert, I find that quite hard. And I always wear high heels on stage, which can be painful.
Quotes to Explore
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Well, we like to let down our hair and pep it up at the dances, but we keep it slower when we broadcast. We have to please everybody, and that softer music appeals to the larger amount of people. It's like eating too much cake. You have to have your steak too.
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I like talking one-on-one to everyone. I find it really sort of cathartic and interesting to hear people's opinions.
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I worked as a head cook at courthouses and high schools. I left it behind when I started getting into my music real heavy.
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I don't care for the music when they're talking bad about women because I think women are God's greatest gift to the planet - I just like music.
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There's this idea of a star, and this person is very aloof and writes all the music, and they don't talk to anyone unless they go through the record label. And I always felt very uncomfortable about that.
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I always separated sports and my personal life.
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I've always been a huge reggae fan.
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As a former English major, I have always been fascinated by the connections between literature and history.
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I actually spend very little time listening to any new music.
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I'll dispose of my teeth as I see fit, and after they've gone, I'll get along. I started off living on gruel, and by God, I can always go back to it again.
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I like to release music the way I feel it, as opposed to having a date. The idea of dates, boxes, categories are very scary for me.
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I'm a total hip-hop geek. That's my favorite kind of music to listen to while getting ready.
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Scott Foley was always fun because he's a very funny guy. So I liked working with him a bunch.
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I'm kind of obsessed with wedges, but I go to a regular high school, so I'm not going to be wearing Vera Wang there.
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You can always spot a well informed man - his views are the same as yours.
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I've always been a really really big Sheryl Crow fan. I just respect what she does in a way that she just remains true to her music and sort of has just been real. She isn't trying too hard ever.
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I will just generalise it that anything that I find too disgusting is not worth an answer.
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The unknown is always frightening.
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Man is alone everywhere. But the solitude of the Mexican, under the great stone night of the high plateau that is still inhabited by insatiable gods, is very different from that of the North American, who wanders in an abstract world of machines, fellow citizens and moral precepts.
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Ultimately, some stream of stars aligned, and people have gotten to hear my music, and with that, there's no more barrier.
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And we must learn to accommodate ourselves to the discovery that some of those cunningly-fashioned instruments called human souls have only a very limited range of music, and will not vibrate in the least under a touch that fills others with tremulous rapture or quivering agony.
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In the villages in Europe, there are still healers who tell stories.
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Tel Aviv is new, built on the sand dunes north of Jaffa in the 1890s, about the same time Miami was founded. The cities bear a resemblance in size, site, climate, and architecture, which ranges from the bland to the fancifully bland.
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I'm very honest in my music and I'm often asked to explain the lyrics; as an introvert, I find that quite hard. And I always wear high heels on stage, which can be painful.
