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	A lot of food criticism has a similar flavor to it, and I'm probably going to write about it in a different way.   
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	I think in the world of indie music there's this sort of false modesty.   
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	A lot of bands have the enthusiasm kicked out of them by playing really dreary pub venues that just churn bands through.   
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	Why play a chord when you can play one note?   
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	The Beatles were huge for me, ... I used to jump around the room to the red album, the one with all the early hits on it. It made you feel euphoric. It was a sensation I couldn't get from anything else, whether it was playing football, swimming or even seeing 'Star Wars.'   
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	For me upward social mobility is possible through talent and hard work and is a glowing endorsement of the benefits of living in a modern capitalist society. It's not so much evidence of a meritocracy, as evidence of healthy nepotism. Nepotism is at the core of a good group dynamic. A good group dynamic is at the core of rock'n'roll.   
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	It's very rare that a song falls from your mind complete.   
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	There are loads of bands I'd love to produce.   
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	There's a difference between expectations and aspirations.   
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	People's musical tastes are fickle, and music can be a fashion.   
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	Ambition is sneered at by some bands. It seems like a pretty good thing to me.   
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	Cinema, which is influenced by every single part of life, is direct and reaches you immediately. And writing - the best writing is complex ideas communicated concisely. And music - if it's a good tune, make sure people can bloody hear it.   
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	Glasgow's not a media center. When you're there, when you're hanging about, you feel quite detached from musical movements or fashions or anything like that. You do feel quite alone, in a good way.   
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	Being in a band didn't buy me my beans on toast!   
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	You can always have it better. If you try... This is the right attitude. Never to feel completely satisfied, always to want to do something better!   
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	You can't write for the cultural environment - if you do that, by the time it comes out, that cultural environment has passed. You have to be aiming for something that's original - that's the only way you can have any kind of impact.   
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	I really want it to have an impact on the world. I want to be in a town on the other side of the world, and somebody walks up and says, 'That music you made in Glasgow, I listened to it every day, and it moved me.'   
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	Just because you can leap off a drum kit doing a scissors kick while hitting a chord, people expect you to be an extrovert socially. But I'm not always comfortable with the idea of small talk at a party.   
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	Boho to me is a first-year student who's just discovered the tie-dye shop.   
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	He just bullied his way through and got to the right people.   
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	If I was a fan of someone as a teenager, then it's OK for me to feel completely in awe when I meet them.   
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	Arty. To me the word's got as much venom associated with it as 'wacky'.   
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	The best songwriting comes from being as creative as you can and editing it down to the good bits, essentially.   
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	Of course, there's a certain type of person who feels that anything which becomes mainstream has to be rejected immediately. And that's part of the indie-alternative snobbery and hierarchy and elitism.   

 
					