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I remember everything What have I become? My sweetest friend? Everyone I know goes away in the end You could have it all My empire of dirt I will let you down I will make you hurt.
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My music has been a sort of personal therapy. It's got me out of tough times, it has been the friend that I needed, when I didn't have a friend there.
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It probably wasn't until Nine Inch Nails played the first Lollapalooza that I actually went to a festival.
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Grammy asshole weekend in LA. Yuck ... The Grammys = the old guard / old media propping up their puppets trying to convince the outside world, and each other, they're relevant.
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I think if there was an ISP tax of some sort, we can say to the consumer, 'All music is now available and able to be downloaded and put in your car and put in your iPod and put up your a-- if you want and it's $5 on your cable bill.'
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My experience with being on a record label over the years has been when both of your agendas are in sync, and they're the same goal, it's great to have another army of people and resources and money. But most of the time, they're not the same. Their agenda is just simply to sell plastic discs at any cost, and yours is to preserve - at least in my case - your integrity, and hopefully sell some plastic discs, too.
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Sometimes I think I spend my whole life trying to figure out where I fit in.
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All I've undergone I will keep on.
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Nine Inch Nails was an experiment with me in discipline. I realized when I was 23 that I had never really tried anything. Schoolwork came easy to me. I learned to play piano effortlessly. I was coasting. I realized that I was afraid to really, really try something, 100 percent, because I had never reached true failure.
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Try to find the right balance of keeping things exciting and treating your audience with respect, and also treating yourself as an artist with respect.
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Today's political climate does not allow the luxury of apathy.
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Today, if you do put out a record on a label, traditionally, most people are going to hear it via a leak that happens two weeks - if not two months - before it comes out. There's no real way around that.
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The least responsive audience I can ever remember playing to.
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I miss how a record label can help spread the word that you have something out.
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There's something exciting and incredibly liberating for an artist to finish something Friday night and the world hears it Friday night instead of eight months later after marketing people and all those assholes get involved.
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I'll be there for you, as long as it works for me. I play a game, its called insincerity.
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I want to do something that matters.
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To switch right into creativity usually takes a bit of time, and this came up right at that juncture where I thought, okay, here's an opportunity to work with somebody I really respect in a new medium.
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People are always saying, 'You're really nice, I thought you were going to be a complete asshole.' I'm getting pretty fed up with it. I just want to say to them, 'Well I could always piss on your head.'
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It's one thing to sit back and say, 'Hey let's play a club, that will be great,' but then you get there and say, 'Hey wait, this is the dressing room? Where's my dressing room?'
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One step closer to the end of the world. The one-two combo of corporate greed and organised religion apparently proved to be too much for reason, sanity and compassion.
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One of my biggest heroes and people I was fortunate enough to be around is David Bowie. I look at his career, and he always had the balls to break things that weren't broken, to step away from something and try something new, at risk of failing.
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I thought Big Sur would be a great break after the tour. You'd walk down this rickety ladder to this not-very-pretty beach scene; crashing waves, moss-covered rocks, weird ocean life. It was scary. It summed up alot of things in my life, like 'I should be enjoying this, but I'm not.
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I become irritated when I am being written off as aloof or stand-offish when I'm shy and don't know what to say.