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Today's political climate does not allow the luxury of apathy.
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Grammy asshole weekend in LA. Yuck ... The Grammys = the old guard / old media propping up their puppets trying to convince the outside world, and each other, they're relevant.
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The result of a public that has a very high consumption rate and turnover rate is people listen to more music but spend less time with individual bits of music. It's made me more likely to put things up quickly and treat it more like a magazine instead of a novel.
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I want to do something that matters.
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It probably wasn't until Nine Inch Nails played the first Lollapalooza that I actually went to a festival.
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I'll be there for you, as long as it works for me. I play a game, its called insincerity.
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I remember everything What have I become? My sweetest friend? Everyone I know goes away in the end You could have it all My empire of dirt I will let you down I will make you hurt.
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My music has been a sort of personal therapy. It's got me out of tough times, it has been the friend that I needed, when I didn't have a friend there.
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Try to find the right balance of keeping things exciting and treating your audience with respect, and also treating yourself as an artist with respect.
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I miss how a record label can help spread the word that you have something out.
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Sometimes I think I spend my whole life trying to figure out where I fit in.
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There's something exciting and incredibly liberating for an artist to finish something Friday night and the world hears it Friday night instead of eight months later after marketing people and all those assholes get involved.
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Nine Inch Nails was an experiment with me in discipline. I realized when I was 23 that I had never really tried anything. Schoolwork came easy to me. I learned to play piano effortlessly. I was coasting. I realized that I was afraid to really, really try something, 100 percent, because I had never reached true failure.
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I thought Big Sur would be a great break after the tour. You'd walk down this rickety ladder to this not-very-pretty beach scene; crashing waves, moss-covered rocks, weird ocean life. It was scary. It summed up alot of things in my life, like 'I should be enjoying this, but I'm not.
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The least responsive audience I can ever remember playing to.
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All I've undergone I will keep on.
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My experience with being on a record label over the years has been when both of your agendas are in sync, and they're the same goal, it's great to have another army of people and resources and money. But most of the time, they're not the same. Their agenda is just simply to sell plastic discs at any cost, and yours is to preserve - at least in my case - your integrity, and hopefully sell some plastic discs, too.
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Today, if you do put out a record on a label, traditionally, most people are going to hear it via a leak that happens two weeks - if not two months - before it comes out. There's no real way around that.
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I think, fundamentally, music is something inherently people love and need and relate to, and a lot of what's out right now feels like McDonalds. It's quick–fix. You kind of have a stomachache afterwards.
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When I was around Bowie, I was nearing the bottom. When we were touring together, I looked at him as a kind of big-brother figure and I also looked at him as somebody I had a lot of respect for. The age and the period he's at in his life, I'd like to be there some day. He has a kind of content peace about him that's something to shoot for.
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When an instrument fails on stage it mocks you and must be destroyed!
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Tired faith all worn and thin, for all we could have done, and all that could have been.
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My doctor says, 'You've got one of the hardest ones to treat because it's not bipolar, it's not up and down, you're always just about a quart low in the mood department.
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One step closer to the end of the world. The one-two combo of corporate greed and organised religion apparently proved to be too much for reason, sanity and compassion.