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I'm just trying to figure out the right balance between making fans feel good and also maintaining some dignity for myself in the process.
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The result of a public that has a very high consumption rate and turnover rate is people listen to more music but spend less time with individual bits of music. It's made me more likely to put things up quickly and treat it more like a magazine instead of a novel.
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I remember everything What have I become? My sweetest friend? Everyone I know goes away in the end You could have it all My empire of dirt I will let you down I will make you hurt.
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My experience with being on a record label over the years has been when both of your agendas are in sync, and they're the same goal, it's great to have another army of people and resources and money. But most of the time, they're not the same. Their agenda is just simply to sell plastic discs at any cost, and yours is to preserve - at least in my case - your integrity, and hopefully sell some plastic discs, too.
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Sometimes I think I spend my whole life trying to figure out where I fit in.
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Grammy asshole weekend in LA. Yuck ... The Grammys = the old guard / old media propping up their puppets trying to convince the outside world, and each other, they're relevant.
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I think if there was an ISP tax of some sort, we can say to the consumer, 'All music is now available and able to be downloaded and put in your car and put in your iPod and put up your a-- if you want and it's $5 on your cable bill.'
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Nine Inch Nails was an experiment with me in discipline. I realized when I was 23 that I had never really tried anything. Schoolwork came easy to me. I learned to play piano effortlessly. I was coasting. I realized that I was afraid to really, really try something, 100 percent, because I had never reached true failure.
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Today, if you do put out a record on a label, traditionally, most people are going to hear it via a leak that happens two weeks - if not two months - before it comes out. There's no real way around that.
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All I've undergone I will keep on.
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I'll be there for you, as long as it works for me. I play a game, its called insincerity.
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Today's political climate does not allow the luxury of apathy.
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The least responsive audience I can ever remember playing to.
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Try to find the right balance of keeping things exciting and treating your audience with respect, and also treating yourself as an artist with respect.
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I miss how a record label can help spread the word that you have something out.
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There's something exciting and incredibly liberating for an artist to finish something Friday night and the world hears it Friday night instead of eight months later after marketing people and all those assholes get involved.
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I want to do something that matters.
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One step closer to the end of the world. The one-two combo of corporate greed and organised religion apparently proved to be too much for reason, sanity and compassion.
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To switch right into creativity usually takes a bit of time, and this came up right at that juncture where I thought, okay, here's an opportunity to work with somebody I really respect in a new medium.
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I thought Big Sur would be a great break after the tour. You'd walk down this rickety ladder to this not-very-pretty beach scene; crashing waves, moss-covered rocks, weird ocean life. It was scary. It summed up alot of things in my life, like 'I should be enjoying this, but I'm not.
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People are always saying, 'You're really nice, I thought you were going to be a complete asshole.' I'm getting pretty fed up with it. I just want to say to them, 'Well I could always piss on your head.'
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It's one thing to sit back and say, 'Hey let's play a club, that will be great,' but then you get there and say, 'Hey wait, this is the dressing room? Where's my dressing room?'
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When I was around Bowie, I was nearing the bottom. When we were touring together, I looked at him as a kind of big-brother figure and I also looked at him as somebody I had a lot of respect for. The age and the period he's at in his life, I'd like to be there some day. He has a kind of content peace about him that's something to shoot for.
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One of my biggest heroes and people I was fortunate enough to be around is David Bowie. I look at his career, and he always had the balls to break things that weren't broken, to step away from something and try something new, at risk of failing.