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The closer I get back to being who I really am, the stronger the music gets.
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My earliest memory is of feeling different. My parents told me that I wasn't like other children.
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Actually, I was having dinner with Michael (Stipe, of R.E.M.) when our second album went platinum, which up until that point was the highest success we'd ever had. And he turned to me during dinner and said, 'Welcome to the deep waters, kid.' I'll never forget that.
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About six months ago, I listened to Siamese Dream. That was the first time I'd ever really heard my own album, because I had separated from the experience of making the record. And it really moved me. It made me cry, it's so beautiful.
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I get more out of life just being myself, by just being a human being. Not by being a rock star, not by being whatever. Sometimes I act like a jerk, but I think people respect me for being myself. That's the ultimate thing about the Smashing Pumpkins.
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I love a lot of the New York bands, but Patti Smith stands out. I just read 'Just Kids' and it's an inspirational, well-written account of an emerging New York artist in the late seventies.
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Part of the reason that I left the Pumpkins is because it was becoming all-consuming. Being the only member of that band who had two kids and a wife, it was a hard decision, but ultimately it was a decision I'm comfortable with.
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You have bewitched me, body and soul, and I love...I love...I love you. I never wish to be parted from you from this day on.
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People act like Nirvana invented grunge; they just took it and personified it.
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It's about the girlfriend who left me last year. I tried to put all my anger in those words, even though I'm just as much to blame for the break-up. 'Soma' is based on the idea that a love relationship is almost the same as opium: it slowly puts you to sleep, it soothes you, and gives you the illusion of sureness and security. Very deceivable.
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We have a problem with any labels that people try to hang on us, because all it does is drag you down.
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I take my craft very seriously.
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I left the Pumpkins in 2010, and I just took a year off to hang with my family and be with my daughter and my son and my wife, and just get acclimatised to being off the road. Then I started looking at what was going to be the next part of my career/legacy, whatever you want to call it.
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What I see for the band by the end of this year is the Complex live at the Montreux Jazz Festival. I want my guys to be comfortable. I'm certainly not in this for the money, but I'd really like to see my guys make some money off of this stuff.
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Music is 99% of my life. But I know I need a break. Besides, if you give people too much, they start to not want it. We need to restrain ourselves.
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I like the challenges of doing different things. It keeps things fresh for me.
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Life is everything and nothing all at once.
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I like a lot of different kinds of music. I like strong projects, big music.
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I play and I've played in heavy bands, but when I write for myself, I don't particularly feel like writing huge rock riffs. It just doesn't work for me and my voice.
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There is a lot of work just in terms of traveling and logistics and people and gear and all that kind of stuff. But I never really have problems playing music. That never seems like work.
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After 12 intense years of rock music, I was happy to get away from making a record and going out on a tour. When I did it, I wanted to feel inspired. After a while I finally had my fill working on other people's music, and I started coming up with music on my own and said, 'This could be for me.'
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I feel really good in the teacher role.
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You know, it's going to be a really long tour, and well, I guess I'll see what happens with A Perfect Circle, 'cause they do other projects too, and I don't know. I hope I can always do a lot of different things, do 'em well.
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Had I joined a straight rock band, I'm sure my drumming would be a little bit different right now.