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I just happened to start playing music for the conceptual ideas.
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I love the way Lady Gaga finds humour in fashion, but it's still very stylised.
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Because our daughters have school and it's just such a hassle going down to New York all the time, we can really only go on the weekends, we kind of... Steve came up here and worked out stuff for the second half of the record.
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Whenever I can afford to do something, I do it.
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Basketball and ping-pong are my two forms of exercise.
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Women make natural anarchists and revolutionaries because they've always been second-class citizens, kinda having had to claw their way up. I mean, who made up all the rules in the culture? Men - white male corporate society. So why wouldn't a woman want to rebel against that?
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I like the adrenaline of playing improv - it makes me feel really calm.
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I grew up listening to John Coltrane and jazz, so they were subtle influences. I sometimes think about doing some kind of weird jazz record, but I don't know... It's on my list of things to do. I don't want to have to then go promote it.
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I'm a slow learner. When people are so talented or facile at picking up an instrument and playing covers, like Yo La Tengo, I admire that. But I could never do that.
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In a lot of the art world, you have to present yourself as you know what you're doing at a young age. Music gave me another outlet. The 'no wave' bands were such an inspiration; it felt so free - once you start doing it, it's hard to stop. But I can't get away from art. It comes back around. I wouldn't be true to myself if I didn't pursue it.
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I would be too self-conscious if I just thought of writing lyrics for a song. I have to trick myself into doing it.
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I don't see myself as a rock star. I don't see myself in that way. I'm interested in work that offers some sort of critical dialogue.
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I see it as more of a teenage activity than, you know, she's only 11, but you know, I think it's great that she knows so many girls who want to play music. And I see it more as a teen activity than I do as going into music.
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I think of myself as unconventional, I guess. I maybe always had a problem with authority, like a stubbornness about what's expected - despite wanting to get some recognition through performing - but also not always wanting to do the expected thing.
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I watch 'Buffy the Vampire Slayer' with my daughter. We're very into Buffy and Buffy's friends.
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Part of my desire to play music was because I wanted to escape the art world and the politics of it; the petty gossip-y art world. But you know, I feel like they're both equal forms of expression.
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I mean, most of it is probably more obscure and just more noisy than either of those two bands, but Thurston has stuff all the time that he's involved with that is fairly obscure and experimental.
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I try not to think too much about what the audience is thinking and what they think I should do.
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I think that certainly, whenever you have a new band, the first record always has a certain energy to it before you know what you're doing. I think some of the early Sonic Youth stuff was maybe like that.
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I try not to think too much about what the audience is thinking and what they think I should do. I'd be self-conscious if I did. Anyone becomes mannered if you think too much about what other people think.
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I'm kind of a sloppy feminist. Any ideology makes me a little nervous because there's some point where it doesn't allow for the complexity of things.
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You know, we have our own audience, and it's not like - they just know we're not going to do certain things.
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In rock music, people have certain assumptions that it makes people more enlightened, and it really doesn't.
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Working on art, as opposed to being in a constant collaborative state, as in a band, is something that I've always done - to a smaller degree, but it always remained a part of my integral self.