Jane's Addiction Quotes
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Later in high school, I met Hillel Slovak, who was the original guitar player of the Chili Peppers, and we became really close. We had a band, and we didn't like the bass player, so I started playing bass, and I got a bass two weeks later.
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Some people should die that's just unconscious knowledge.
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I'm a behind-the-scenes guy. I've got a face for radio.
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I spent more time at the library than anyone my age when I was a kid.
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So as long as I can do the music or create, I'll feel fine.
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Music is made up out of these building blocks. Studying how these blocks go together and what they consist of and the math of how it works - it's all the same stuff; it's just different aesthetics that we're talking about.
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I'm not the type of player to sit home and practice scales and work on runs.
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I feel creatively vibrant. I have some great friends; I feel like I'm capable of giving a lot to the world. And ultimately, that's what I really care about, is just giving.
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I worked full time jobs, basically doing manual labor until I could make enough money supporting myself as a musician.
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You teach your kids about your beliefs and tell them what you think is right and the conclusions that you've come to from living in the world, and then they can make their own decisions.
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Being in L.A. has definitely given me the opportunity to experience how my music sounds in real life because I can drive around and listen to the mixes, which I couldn't do in New York. I get to feel how a song works in combination with a sunset and a drive through the mountains.
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When I was growing up, in L.A., I went to these schools, Fairfax High School, Bancroft Junior High School, and they had great music departments. I always played in the orchestra, the jazz band, the marching band.
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I love literature deeply. I view books as sacred things, and in writing my story, I'm going to do my best to honor the form that has played such a huge part in shaping who I am.
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I was raised to think that rock was music for ignorant people who didn't think for themselves.
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When you make music, you're forming these invisible vibrations in the air into different shapes and consistencies and speeds in order to create music, and understanding how the math of that works just gives you more colors to paint with, and allows you to get to what you want quicker.
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I always thought I was a pretty terrible actor.
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I have never been sexually aroused by a man. But I have yet to kiss Johnny Depp, so you never know.
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The quality of instruction is very high at the Silverlake Conservatory of Music. It's not about being a rock star. It's about the fundamentals of music, theory and technique on a particular instrument, and playing in an ensemble or private setting.
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The Silverlake Conservatory is a nonprofit music school in Los Angeles where we teach music, mostly to kids, but to people of all ages - people who are old, people with beards, all kinds of people.
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For me, it doesn't matter how difficult something is, it doesn't matter how impressive it is, it's what sounds best that really counts.
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The most important thing to me with any politician is that they don't start wars, but education is a big part of that, too, because educated people are less likely to do stupid, violent things.
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For me it's the high-water mark of American culture - not so much contemporary jazz, which has become kind of academic, but the jazz from the '20s on through the '70s.
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When I was in school, you could pick any instrument you want, and they'd teach you how to play it. That changed my life. I loved playing music in school, and it sent me on my path as a musician.
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I work very closely with my publisher and just give them tons and tons of music, and then they link that with different songwriters and stuff. I'm basically a workaholic. So, I figured I might as well just start working outside.