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Music is made up out of these building blocks. Studying how these blocks go together and what they consist of and the math of how it works - it's all the same stuff; it's just different aesthetics that we're talking about.
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So as long as I can do the music or create, I'll feel fine.
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There have been times when I felt suicidal and I would stop my head from going in that direction of negativity because I thought there'd be something I'd miss that was funny in the future. If there's a chance I'm going to laugh tomorrow then want to live to experience that.
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When something comes up, and it's interesting, and I have the time, I'll do it.
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I'm thrilled I have the opportunity to do the 'Spread' show and have the terrific sponsors that we work with like Nikon or Verizon.
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I make music to bring the dead to life for a couple minutes and then let it go.
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When I was growing up, in L.A., I went to these schools, Fairfax High School, Bancroft Junior High School, and they had great music departments. I always played in the orchestra, the jazz band, the marching band.
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You teach your kids about your beliefs and tell them what you think is right and the conclusions that you've come to from living in the world, and then they can make their own decisions.
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The Silverlake Conservatory is a nonprofit music school in Los Angeles where we teach music, mostly to kids, but to people of all ages - people who are old, people with beards, all kinds of people.
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I'm not the type of player to sit home and practice scales and work on runs.
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Guitar playing is just something that came to me and is really second nature now.
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Later in high school, I met Hillel Slovak, who was the original guitar player of the Chili Peppers, and we became really close. We had a band, and we didn't like the bass player, so I started playing bass, and I got a bass two weeks later.
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I feel creatively vibrant. I have some great friends; I feel like I'm capable of giving a lot to the world. And ultimately, that's what I really care about, is just giving.
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Some people should die that's just unconscious knowledge.
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I work very closely with my publisher and just give them tons and tons of music, and then they link that with different songwriters and stuff. I'm basically a workaholic. So, I figured I might as well just start working outside.
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I worked full time jobs, basically doing manual labor until I could make enough money supporting myself as a musician.
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For me it's the high-water mark of American culture - not so much contemporary jazz, which has become kind of academic, but the jazz from the '20s on through the '70s.
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I was raised to think that rock was music for ignorant people who didn't think for themselves.
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When you make music, you're forming these invisible vibrations in the air into different shapes and consistencies and speeds in order to create music, and understanding how the math of that works just gives you more colors to paint with, and allows you to get to what you want quicker.
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Pop belonged to more musical people in earlier times, but we've sort of gotten away from that. Now it's software people. I kind of feel like reclaiming it is in order.
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The quality of instruction is very high at the Silverlake Conservatory of Music. It's not about being a rock star. It's about the fundamentals of music, theory and technique on a particular instrument, and playing in an ensemble or private setting.
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The most important thing to me with any politician is that they don't start wars, but education is a big part of that, too, because educated people are less likely to do stupid, violent things.
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Music gave me something that was not only good for me - it gave me something to work on, something to be proud of and something that I really loved and have a love for - but also music was good for other people because you put joy into the world.
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I always thought I was a pretty terrible actor.