Jane's Addiction Quotes
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My records don't go platinum or gold. I think they go cedar.
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My skin is my canvas. The artwork on it represents something that is very powerful and meaningful in my life. I look at my skin as something of a living diary because all my tattoos represent a time in my life. And I never wish to shut the door on the past, so I carry it all with me.
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Music is always my great escape... I get to be that wild child and do whatever the hell I want on stage.
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I have always considered reunions to be a way to make a quick buck, and it sells short my own experience of it the first time around.
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He's kind of feeding off what we're doing visually and vice versa.
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A blockhead, bit by fleas, put out the light,And chuckling cried, 'Now you can't see to bite.'
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I do honour the very flea of his dog.
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Our plight, ... is a true indication of the general health of the touring industry and it is across musical genres.
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You have to take risks.
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Jimi Hendrix's music was escapism.
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I mean the truck can get replaced. But our little family member, it's like having a child. You don't get that back.
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Sometimes to realize you were well, someone must come along and hurt you.
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I mean, gosh, my first tours I ever did were with the Ramones and Iggy Pop and Love & Rockets.
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The live concert industry has become corporate-ized.
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We're very positive. The company has made good inroads into the networking industry.
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I'm looking to evolve the concept of the new renaissance artist, taking the world by storm through the art of public display and demonstration, with technical savvy, using cell phones and computers.
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I see three strong wireless equipment companies involved, and Psion is strong in palmtop devices, ... They have lots of promise, but I'm not sure what the strength on the software side is. Why not make a product that uses Windows CE?
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I don't wait on the music industry to qualify me or give me my paycheck. I go about my business as an artist and I believe that my value is in my product and in my art form, and that's why I can't be stopped, because I began producing my record by myself, without a record company.
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Without game, men prey on each other.
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Here's my system. Music that's five years old should be a nickel. Music's that's three to four years old, you should pay a dime. If it's two years old, it's 50 cents and for new singles, 75 cents.
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I'm not a big equipment guy; I think that people are a little bit shocked by that. I really don't care about gear in general. I care about people and their intentions to make music - it doesn't matter what equipment you have.
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But the great thing, and the horrible thing about the web is you can just throw stuff up there and it doesn't cost anybody anything.
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The formats have changed so much, and even if you look at alternative music today, most of it isn't really that alternative. It's just good, strong, modern music.
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I reckon there's always a bit of pressure. We put it on ourselves, I think we always feel a bit of pressure because people around us and our manager and stuff call us perfectionists, which I find very hard to take because nothing that we do is perfect.