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If you get involved in music expecting to make a living out of it, then you've picked the wrong thing to do. That shouldn't really be in your mind.
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When I was in Pulp, I actively did more TV stuff because that was during the Great Britpop Wars, and it seemed important to prove that indie people could speak. That war doesn't exist anymore.
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Unless you're living on the street and surviving on a diet of discarded turkey drumsticks, there's no point in being gloomy. We've spent too long trying to cheer ourselves up by spending money on brightly coloured things we don't really need. We've stopped using our imaginations.
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Pornography takes all the reality out of sex and Disney does that to family life.
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We've always been a bit out of touch with reality.
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In some ways, I always thought you're better off behaving like a rock star when you're a normal person. Because if you do it as a rock star, you'll end up in the papers and your life will be made a misery.
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I always thought that I might retire from any form of sexuality by the age of 40 and just become a dignified older person.
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I don't really know what I'm ever looking for, it's kind of like whatever happens to resonate at the time with me.
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I am passionate about keeping the human dimension in things. You have to keep the rough edges and the inconsistencies, that's what makes it interesting. I've always striven to be as sloppy as possible.
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As a shy kid growing up in Sheffield, I fantasized about how it would be great to be famous so I wouldn't actually have to talk to people and feel awkward. And of course, as we all know from fairy stories, when you achieve that ambition, you find out you don't want it.
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One of the biggest things I struggle with in life is not being present. I'm worried about my future or I'm dwelling on my past, and I'm wondering why I'm not feeling so great right now, but it's because I'm everywhere else, besides what is currently happening in front of me.
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The first film I directed (Explicit Ills), I did when I was like 27 years old. I had been an actor for a certain amount of time, and then I was like, "I want to start directing."
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The system is in place whereby if an umpire cries off, or both as was the case here, those umpires are to be replaced.
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It's really interesting for me as a filmmaker to go back and look at the films I've made and see where I was at that point in my life and also where my ideals were and the beliefs that I had and look at the ways I've grown and evolved and apply that to the next thing.
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There isn't much I find interesting to write about in middle-class life.
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It's good that I managed to hoodwink so many people. I am actually not that nice a person.
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For TV you also get those pre-interviews when researchers ask you what you're going to say. The pre-interview drives me insane. If they've already decided the outcome, why don't I just hand in an essay? Maybe if we talk we'll find something out. I'd rather just have an awkward pause.
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For me writing and filmmaking is a therapeutic process. It reflects themes that I'm going through at a time in my life.
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Anyone who thinks they're sexy needs their head checked.
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I appreciate people who try and use language in an interesting way.
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I love directing and that's where I'm headed. That's where my head is at.
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Every woman I've had a relationship with has found this maddening; the fact that I will talk about anything on the stage, and reveal all this stuff, and yet when I'm at home, I clam up and won't discuss anything intimate or personal.
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I'm always amazed by people who blog all the time and tweet all the time, and still get things done. I don't know how they do it.
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Part of why I started a band was due to feelings of shyness and social ineptitude. I saw it as some way of being able to interact with people from a safe distance. It's always been about trying to get to know people. Albeit, it's a bit of a contradiction because you can't really get to know people when they're 10 feet away and there's a big mass of them.