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I love directing and that's where I'm headed. That's where my head is at.
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Tabloids invoke freedom of speech, but they're not interested in that, they're just interested in who's shagging whom, who's got drunk. And if you take that pretend, faux moral standpoint, you end up with people in public life being completely boring. Like they've had their genitals removed.
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The working class has been turned into a consuming class - a situation has been created where people value their worth by what they can afford.
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I think basically becoming famous has taken the place of going to Heaven in modern society, hasn't it? That's the place where your dreams will come true. It's an act of faith now; they think that's going to sort things out.
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Its OK to grow up, just as long as you don't grow old. Face it you are young.
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I don't think people should abuse the fact that they are in showbiz. You still have to be human. I think that's the point. Showbiz is about showing human things - just amplified, that's all. And when it gets too much into, "Hey, we're part of the showbiz club and we can do what we want," it turns me off and I hate it.
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Everybody's a bit screwed up, you know. You can take it as symptoms of a disorder, or you can take it as personality. Me, I'd rather think it as parts of personality.
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Being chronically shy I needed to create a persona for myself and be involved with a band where I could be ruler of my own kingdom. Then Pulp became hugely popular and I lost control of it, which is when it all went wrong.
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For me, the great thing about music is that anybody can do it.
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I know that some filmmakers strive for a kind of naturalistic approach, but you're never going to capture something that's really natural - just the simple fact that you choose to put a frame around something means that you've already chosen one particular thing to put more attention on.
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I would like to believe in an afterlife; it makes things more palatable. But I'm not banking on it.
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I'm not very keen on ageing. I'm not keen on the physical decay. I probably am quite vain. I think you want to try and look OK for the benefit of other people.
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I think the credit crunch is a brilliant thing. We should all stop moaning and start celebrating. When times are tough, it's an opportunity to start looking at life in a different way.
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Oh you know, I've been writing a novel.
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If you're in a band or think of yourself as a slightly creative person, you can get quite self-indulgent, so sometimes it's nice to have those people who bring you down to earth, but in a pleasant way.
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I travel backwards and forwards quite a lot. I live very near to the train station. I'm kind of playing at being an expatriate, I suppose.
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Life is a cycle of ends and starts.
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My basic position is that the more mixed the society and the more mobility there is in it, the better. That's what makes things interesting. When you get a homogenous society, it's very, very dull, whether that's all working class or all upper class, because everybody thinks the same, everybody looks the same.
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You know when you get into that thing where people want to discuss the relationship? I'd rather discuss what was on telly, avoid the issue, discuss anything other than the relationship.
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There are some quite funny things about getting famous and stuff, but I think there comes a point where you have to think to yourself, "Well, am I doing this because I want to go to a party and meet Britney Spears? Or am I doing it because I want to create something that excites me?"
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The best thing you can give someone is the freedom to make their own mind up - and then, if it's not working out 5 years later, you can give your opinion.
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I think, as most people are, I'm fascinated with love, relationships, and my daily life so I'm very inclined to make films about those things.
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Well, once you've resigned yourself to the fact that you are the more mature pop performer and you're past the age you ever thought you would do it, you might as well do it as long as you can. As long as I can still lift a microphone, then I'll do it, you know.
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Hawkwind are one of those bands that people introduce you to because you don't see them on the covers of magazines. I'd heard 'Silver Machine' but Russell Senior, who was in Pulp, got me into them. They had a song called 'Master Of The Universe' and we nicked the title in 1985 for one of our songs.