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Pop music often tells you everything is OK, while rock music tells you that it's not OK, but you can change it.
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Rock stars are good at making noise.
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What really turns me on about technology is not just the ability to get more songs on MP3 players. The revolution - this revolution - is much bigger than that. I hope, I believe. What turns me on about the digital age, what excites me personally, is that you have closed the gap between dreaming and doing.
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The only thing I wouldn't like to do is to play roles as a musician. I'm not sure that I would be comfortable doing that, and I'm not sure I'd be very good at it. I think I would be better served, and would be a better partner, if I was in something outside of myself.
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Even though I'm a believer, I still find it really hard to be around other believers. They make me nervous, they make me twitch. I sorta watch my back.
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Anyone that's involved in development has discovered that all the good work that's been done in development has been undone by the AIDS emergency.
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Essentially, I'm a very real person; good and bad. And the public image is one of being very good, I suppose. But one of the reasons I'm attracted to people like Martin Luther King, Jr., Gandhi, Christ, to pacifism, is because naturally, I'm the guy that would not turn the other cheek - but, when people see you're attracted to that, they think you are that.
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I wish to begin again on a daily basis. To be born again every day is something that I try to do. And I'm deadly serious about that.
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Smack in the centre of contradiction is the place to be.
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I think 'Invisible' is a great song, but I don't know how accessible it is.
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As a musician and a songwriter, it is an act of the ego to believe that other people might be interested in your point of view. But it is usually an empathetic nature that gets you going in the first place.
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I remember how my mother would bring us to chapel on Sundays... and my father used to wait outside. One of the things that I picked up from my father and my mother was the sense that religion often gets in the way of God. For me, at least, it got in the way.
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You've got to watch the politics of AIDS. The politics of AIDS can work both for and against the victims of AIDS.
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So you cannot, as a Christian, walk away from Africa.
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God is so big. It's a gigantic concept in God. The idea that God might love us and be interested in us is kind of huge and gigantic, but we turn it, because we're small – minded, into this tiny, petty, often greedy version of God, that is religion.
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It's much easier to be successful than it is to be relevant. The tricks won't keep you relevant. Tricks might keep you popular for a while, but in all honesty, I don't know how U2 will stay relevant. I know we've got a future. I know we can fill stadiums. And yet with every record, I think, 'Is this it? Are we still relevant?'
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I'm actually starting to like more and more people who have convictions that are unpopular.
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I think I look cool. I don't know about the other three but I look cool, I am cool.
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Africa is a continent in flames. And deep down, if we really accepted that Africans were equal to us, we would all do more to put the fire out. We're standing around with watering cans, when what we really need is the fire brigade.
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Religion can be the enemy of God. It's often what happens when God, like Elvis, has left the building.
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Every artist is a cannibal/every poet is a thief/all kill for inspiration/and then sing about the grief.
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Whenever I see grace, I’m moved.
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The great music for so many artists - the Beatles, the Rolling Stones - was always at the moment when they were closest to pop. It would be easy for U2 to go off and have a concept album, but I want us to stay in the pop fray.
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We spent a year trying to play one song, practising about four hours a week. Then we decided that if we really wanted to learn this song, we'd have to practice two days a week.