Stone Sour Quotes
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As much as I love Slipknot, I don't want that to carry over into what I do for Stone Sour. I want both bands to stand on their own.
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Everyone knows Spiderman is my favorite superhero of all time. My favorite supervillain? George W. Bush.
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With 'Seven Deadly Sins,' there was a lot of personal stuff in there that I didn't even realize I'd been carrying around for awhile. And a lot of guilt involved, a lot of emotion, a lot of depression. Once I was done writing that book, I was able to really let go of that stuff.
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There's nothing wrong with the screaming style of singing, and I'll be the first to admit that it conveys an emotion. But I'm getting older, and I can't scream and shout about the same things anymore. The songs I'm writing with Stone Sour call for a lighter, different approach.
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The biggest difference between me and other artists out there is that they'll put anything out to sell a record or sell a ticket.
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The fact that the public are mesmerised by Britney Spears, Lindsay Lohan and all these miserable people makes me laugh because those celebrities are more miserable than the people reading about them for escapism.
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I always tell the fans, 'Screw it! Like what you like. Listen to what you want.' Insisting that one type of music is better than the next is snobbery, and I have no time for that. Check out all the music that's out there. There's great stuff you're probably missing.
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I have ideas every day, and if I'm not carrying a pad of paper, I'm typing it into the notes thing on my iPhone, and it's just ridiculous - idle hands are the devil's plaything, and I can't be the devil's plaything. I got to be the devil; I got to be the guy making it all happen.
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When I write a book... it's the same essential approach to music as with books. It has to be something I want to hear or read. Hopefully the audience comes along, since that's the only way you can write righteously. I have to ask, 'What do I want to hear?' not 'What do people want to hear?'
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Everyone one-on-one will be completely honest about the music that they listen to. But then you get into a group situation, and then it's the cool/uncool debate. I have really done my very best to reinforce the very fact that your heart knows better than your head does what you like when it comes to music and what not.
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The weird thing about metal fans is we're all so maladjusted in a lot of ways. We're individualistic and opinionated and severe in our personalities - sometimes we really turn each other off. A little bit of a metal fan goes a long way.
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So many people in the world would rather stay in a situation that's painful but familiar because they're comfortable with it. Not a lot of people have the strength or heart to realize when something's not good for them and to turn around and be alone.
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To be honest, and this comes out of left field, but I would love to do something with Jay-Z or Eminem. I have no limitations when it comes to the stuff I want to do musically. So to be able to do something like that I think would be really, really cool.
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I got into Dio when I was still quite young. I remember seeing the video for 'Rainbow In The Dark' on MTV. That was my first taste of Dio. It wasn't until years later that I realized he had this whole career with Rainbow and Black Sabbath and even going back to Elf. When I saw that video, it instantly became one of my favorite songs.
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You don't break ground by doing the same thing over and over and over. That's like standing in place. You have to risk to gain it all.
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I'm the guy that gets up at three in the morning to jot down an entire sheet of lyrics for something that won't be recorded for six months. You have to get it down when you can, because thoughts are fluid.
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You gotta remember: we're musicians... we're just crazy people who can't get along sometimes. I've definitely come to the table with my knife in my pocket a couple of times; you know how it is. It's part of being human. Now add fame and money and all that rock and roll craziness to it - we're lucky we don't eat each other in this industry!
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If you are too overwhelmed, then when you sit down and try to write something, it feels forced. There's nothing worse than forced music. I mean, this world has enough of that right now, where it's basically McDonald's making music. 'Everybody needs another hamburger and fries.' Here's a piece of crap that nobody's gonna care about it two years.
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I've always gravitated towards those ultimate lines in songs, the line you grab on to. That line in 'Smells Like Teen Spirit,' 'Here we are now/Entertain us' - the irony, the antagonism; that's always stuck with me.
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I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs... I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.