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The Zombies were really unique - they had elements of jazz and classical music in their songs and songwriting. They had a very, very different sound compared to a lot of their contemporaries at the time.
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I really enjoy playing America. I like the audiences there. It's the home of a lot of music I grew up with.
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I'm fine with being thought of as a guitar player, and if I can get any recognition or respect for doing that, that's a pretty good thing for me.
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I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.
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I hear an album so many times during the course of making it that when I've just finished it, I don't want to hear it again. After you've taken a little bit of time away from it, you can come back to it, which can be scary. I'm happy with 'Sonik Kicks,' man.
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I've bought clothes based on record covers. Particularly from the formative music that turned me onto it in the first place when I was a kid, with the Beatles and the Small Faces. A lot of those Sixties soul artists were in really sharp sharkskin or mohair suits, and Motown artists looked amazing.
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I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really. And I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.
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The first thing I bought that was really stylish was in 1969 when I was eleven. I saved up for a black, grey and white tie-dye grandad vest. It was too big - they weren't catering for kids my age - and hung off me, but I loved it.
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I want to hear as much music as I possibly can before I leave this mortal coil but it's impossible to hear it all because there's so much of it.
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There have been records I've been really, really pleased with that haven't connected with people. But I felt good about them.
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I'd heard a lot of Motown and Stax when I was a kid, but the more well-known end of it. On Jam tours, we had a DJ called Ady Croasdell who ran a '60s club. He turned me on to underground stuff and what people call northern soul. It just blew my mind.
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The Jam were a good band, however I feel that the Style Council were better. A lot of people I know will disagree with me. Some things we did with The Style Council were misinterpreted or over their heads.
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I think people are just really disappointed, disappointed with Blair as well, who's just like Bush's lapdog. I think everyone's just disillusioned with politics in our country, and it must be the same in your country.
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When I lived in a little flat in Pimlico in 1981, I'd write in the hallway. As you walked in, there was a tiny little recess type thing, hardly a hallway, really, and I'd sit there writing songs with my guitar.
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When I'm dead, I wanna leave a body of work, like authors or great painters do. I don't wanna get ideas above my station, but why shouldn't this be comparable? Pop music was supposed to be a flash in the pan, but here we are 50 years later, and it means something to us, and it always will do. It's incredibly important.
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I kept the first Rickenbacker I ever got, a little short-scale John Lennon-type model. And I've got a couple of 12-string models, which are really nice, and I've got a Pete Townshend model, which Pete gave me a few years ago. But that's about it.
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It's quite liberating to get to a certain age, 'cos you're not chasing number one hits or trying to be an international superstar. I've done all that. I'm not out to prove much more to anyone but myself really, to be an artist and see if there is a new undiscovered music out there for me to make.
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We can't stop a baby in Africa from starving to death... but we can afford enough technology and weaponry to blow the world up a million times over.
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I had a total belief in The Style Council. I meant every word and felt every action.
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There is a shy side to me that evaporates when I play on stage, and I like that. I think it's another facet of my character, and I need to do that.
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When I got into the Beatles, I must have only been about six or seven but old enough to take notice. We used to have an old radiogram which, for readers of a certain age, was like a big cabinet thing with a record player inside it.
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I'd like to think I've left something in the world. Without in any way trying to be morbid, but life is very short, and I'd like to think I'd leave some body of work that would inspire other musicians long after I've gone.
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Most people my age, their musical life ended in the '80s. They stick with what they know. But my tastes are much broader. And I don't want to stop learning.
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Of course I'm proud of what I've done, but I'm interested in what's next. I want to be relevant now, in 2012. I've done my bit for the past. I've only ever been about what's next, really, and I'll be that way until I keel over.