Incognito Quotes
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I want to hear as much music as I possibly can before I leave this mortal coil but it's impossible to hear it all because there's so much of it.
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If you're into a certain band, you're into the way they dress.
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People say you make your best work when you're in despair and all that, and at your lowest - but for me, I think happiness makes you positive, and I think that's a good creative place to write from.
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I'm fine with being thought of as a guitar player, and if I can get any recognition or respect for doing that, that's a pretty good thing for me.
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The Zombies were really unique - they had elements of jazz and classical music in their songs and songwriting. They had a very, very different sound compared to a lot of their contemporaries at the time.
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Right from the start with music, I was like, 'I'm just going to do this, and I don't care about anything else. There are certain things you have to give up, even at 13, 14: your Friday and Saturday nights, having a regular girl, lots of things like that. I look at Amy Winehouse, and I think perhaps she just don't want to do it that much.
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I hear an album so many times during the course of making it that when I've just finished it, I don't want to hear it again. After you've taken a little bit of time away from it, you can come back to it, which can be scary. I'm happy with 'Sonik Kicks,' man.
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The Jam were a good band, however I feel that the Style Council were better. A lot of people I know will disagree with me. Some things we did with The Style Council were misinterpreted or over their heads.
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I want to see where and how far I can go as an artist. I look back and see what I've done, and I want to do as much as I can in my lifetime. I love doing it. If I didn't have that passion or love for it, I wouldn't do it.
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The first thing I bought that was really stylish was in 1969 when I was eleven. I saved up for a black, grey and white tie-dye grandad vest. It was too big - they weren't catering for kids my age - and hung off me, but I loved it.
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I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.
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I kept the first Rickenbacker I ever got, a little short-scale John Lennon-type model. And I've got a couple of 12-string models, which are really nice, and I've got a Pete Townshend model, which Pete gave me a few years ago. But that's about it.
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I've bought clothes based on record covers. Particularly from the formative music that turned me onto it in the first place when I was a kid, with the Beatles and the Small Faces. A lot of those Sixties soul artists were in really sharp sharkskin or mohair suits, and Motown artists looked amazing.
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I had a total belief in The Style Council. I meant every word and felt every action.
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It's quite liberating to get to a certain age, 'cos you're not chasing number one hits or trying to be an international superstar. I've done all that. I'm not out to prove much more to anyone but myself really, to be an artist and see if there is a new undiscovered music out there for me to make.
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I play out my role, I've even been out walking -They tell me that it helps, but I know when I'm beaten...
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I think people are just really disappointed, disappointed with Blair as well, who's just like Bush's lapdog. I think everyone's just disillusioned with politics in our country, and it must be the same in your country.
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I'd heard a lot of Motown and Stax when I was a kid, but the more well-known end of it. On Jam tours, we had a DJ called Ady Croasdell who ran a '60s club. He turned me on to underground stuff and what people call northern soul. It just blew my mind.
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There have been records I've been really, really pleased with that haven't connected with people. But I felt good about them.
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It's so hard to understand why the world is your oyster but your future's a clam.
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When I'm dead, I wanna leave a body of work, like authors or great painters do. I don't wanna get ideas above my station, but why shouldn't this be comparable? Pop music was supposed to be a flash in the pan, but here we are 50 years later, and it means something to us, and it always will do. It's incredibly important.
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I've not had Botox, no.
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When I got into the Beatles, I must have only been about six or seven but old enough to take notice. We used to have an old radiogram which, for readers of a certain age, was like a big cabinet thing with a record player inside it.
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I'd like to think I've left something in the world. Without in any way trying to be morbid, but life is very short, and I'd like to think I'd leave some body of work that would inspire other musicians long after I've gone.