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There is a shy side to me that evaporates when I play on stage, and I like that. I think it's another facet of my character, and I need to do that.
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In all honesty, I don't know what one song can change.
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When I'm dead, I wanna leave a body of work, like authors or great painters do. I don't wanna get ideas above my station, but why shouldn't this be comparable? Pop music was supposed to be a flash in the pan, but here we are 50 years later, and it means something to us, and it always will do. It's incredibly important.
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I could write songs about politics, but I'm conscious of not writing songs that sound the same as the ones I wrote 30 years ago.
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Of course I'm proud of what I've done, but I'm interested in what's next. I want to be relevant now, in 2012. I've done my bit for the past. I've only ever been about what's next, really, and I'll be that way until I keel over.
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Most people my age, their musical life ended in the '80s. They stick with what they know. But my tastes are much broader. And I don't want to stop learning.
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I come from a time when every kid dressed up. Everybody. If you didn't, you wouldn't be able to hang out. It was very tribal. There's nice things in that. It's culture; it's roots for me.
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For me, the best thing I can do is play live. The best way for me to put over what I'm trying to do is to play live. Whether it's an acoustic show, electric or whatever... if I shine at all, that's where it all really happens - it just took me a while to rediscover that.
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I think politicians are so far out of step with what people really want.
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I am aware of the words 'national treasure' being attached to me occasionally. It just makes me feel old.
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It?s been a bitter pill to swallow.
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Nothing wrong with pop!
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I first felt a fist - and then a kick, I could now smell their breath,They smelt of pubs - and Wormwood Scrubs - and too many right-wing meetings.
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I don't like the royal family, I don't like the establishment, I don't like the civil service.
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'Ageism,' or whatever you want to call it, is a very English phenomenon. You don't get it too much in many other cultures. And no one says it about authors or poets or filmmakers. 'Oh, they're too old to make films or write books.'
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There are so many artists who get to my age that get comfortable and just stick in a groove, and I really don't want to do that.
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To me, music that breaks your heart is the music that stays with you forever.
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I never saw myself as a spokesman for a generation. It was all a bit heavy for me. I saw myself as a songwriter and wrote for myself, which I still do, and I also wanted to communicate with my audience.
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A whole street's belief in Sunday's roast beef gets dashed against the Co-op,To either cut down on beer or the kids' new gear, it's a big decision in a town called malice.
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When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble. I don't only listen to the guitar player.
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I think I come from a time when all the artists I grew up with and I loved always used to try and push the boundaries, and there doesn't seem so much of that, really.
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People say that if you're still angry at 52, you're not an angry young man, just a grumpy old git.
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It's so hard to understand why the world is your oyster but your future's a clam.
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I want to see where and how far I can go as an artist. I look back and see what I've done, and I want to do as much as I can in my lifetime. I love doing it. If I didn't have that passion or love for it, I wouldn't do it.