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I basically sat down for a month, with all the Sun stuff I could find and just picked out my favorites. I didn't think that they were indicative of '54 to '57, although I tried to stay within that period.
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The jazz chord substitutions in a country song... that was another thing that bent people's ears. I guess that my favorites are the unique ones. It's not how fast you play. It's that unique blending of different stuff I'm most proud of.
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For every rockabilly festival staged here, there are 10 held overseas.
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Don't be afraid to take liberties with this music. Try and put some of yourself into it.
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It is hard to play Blue Suede Shoes. I know everyone has heard it 10 million times, and that makes it even harder to play it, but there's a very laid back tempo on that. I was surprised at how slow it really was.
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Robert Plant is one of the nicest people you'll ever meet, never mind rock star. He's so down to earth.
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It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings.
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We weren't afraid to mix some crazy styles into the standard rockabilly look. We also took a lot of different musical influences that were part of that era.