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There's a social piece to what's going on in the Sugarland world, but we've never been a band that's political, and I maintain that.
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Sugarland was a band we started to try to make things better. It was in the aftermath of 9-11; it was in the aftermath of my mother dying... there was a lot of weird stuff that had gone on that made you want to start something good.
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You can't un-have an experience. You can deny the experience; you can process it and try to get through it, but you can't change the fact that it happened to you.
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I get intimidated by famous people. When I'm around them and they look at me like I belong, I'm like, 'Are you nuts? You're freakin' famous!' Whether it's Elmo or a Beatle or Vince Gill, it's humbling to be in a room with these folks.
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The most inspiring thing as an artist is when someone says, 'I believe in you'; sometimes that works even better than Grammys.
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I try to spend a lot of time thinking of what it is I want to say, and how I want to say it. Mainly because I know what it's like as a fan to hear music that is just exactly what I needed.
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I don't remember consciously not being able to play an instrument. It's been kind of like a language for me.
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With Sugarland, it never felt like we were finished telling our story.