Work Quotes
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It's fairness to say those who work hard, get up in the morning, cut their cloth - in other words 'we can only afford to have one or two children because we don't earn enough'. They pay their taxes and they want to know that the same kind of decision-making is taking place for those on benefits.
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When I look at my body of work, I've played a lot of characters who are morally conflicted - 'I'm right, no I'm wrong, I don't know what to do!' I want to play more characters who don't care as much, and who aren't as measured. They are what they are, no apologies.
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Anyone who thinks Peter Jackson would fall for market forces around him rather than artistic integrity doesn't know the guy or the body of his work.
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I am not that thrilled about the way our records sound anyway. Don't get me wrong, I work hard on them and I want them to sound fantastic but I'm happy to have another interpretation of them anyway.
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There's a big difference between France and the U.S. In the U.S., immigrants must work to live. In France, they're taken care of by public finances. In France, there are millions of unemployed people already. We cannot house them, give them health care, education... finance people who keep coming and coming.
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May the work for the further development of chemical science, which has its strongest roots in this beautiful, strong and hard-working country of Sweden, continue to flourish in the future, for the promotion of culture and the benefit of mankind.
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I have no writing habit. I work when I feel like it, and I work when I have to - mostly the latter.
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When you work with Ray Charles, Billy Eckstine and Frank Sinatra, and you tell them to jump without a net, you better know what you're talking about. Thank God I was ready for it.
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Stopping to think is fine for characters, but not for their creators. They have to work.
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Luckily, I work for a company that promotes on performance.
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I am not an atheist - I think I'm happily confused and a work in progress; I'm sort of more agnostic. I do think that science has become the lens through which we see the world, more and more.
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I saw a '60 Minutes' piece on Google as a place to work. It was such a foreign concept from what I understood as a regular job. There's free food, sleeping pods, Ping-Pong. I'm the kind of guy who likes to get involved in everything - I'd be all over the Ping-Pong.
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There's always going to be somebody that you consider maybe more beautiful. But nine times out of ten here in L.A., that beauty isn't home grown. It's usually manufactured. It sort of encourages me to work more within myself because I think that's not what appeals to me. Plastic and tons of makeup.
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The way I like to work is to attach personal experiences to what I'm doing, so it helps tremendously if I can write my own play under what the writer has written.
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Frankly, one of the problems we have in the country is we're not forming enough families. And that is hurting our economic work, and it's hurting our economic projections, because the best place for a child is within a strong family unit.
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After I left college, I went to work at the Royal Opera House in London, which became a real catalyst for me because it made me realize that I was interested in cinema and in the way life is thrust at you. So I started making films.
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The beauty of soaps is that it takes a village to make it work, and you get to work with really hardworking people.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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There's no way that I could do a 9 to 5 job. There's no way. I was not cut out for that. You come in and you work for three months on the one job. They say, 'Great,' you know, and you're on to the next one - and you never even got fired. It's wonderful.
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Work is transformative. It gives you a greater chance of a greater income. You can affect your life while you're of working age, so you have scope and opportunity. Pensioners do not.
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I've wanted to be a writer since I was a boy, though it seemed an unlikely outcome since I showed no real talent. But I persevered and eventually found my own row to hoe. Ignorance of other writers' work keeps me from discouragement and I am less well-read than the average bus driver.
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It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
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I have reaffirmed my political will to work towards national unity.
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I think you don't do work for controversy alone, and whenever you do new work which people don't understand and they say it is done to create controversy.
