Work Quotes
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Art was always my main focus; I fell into writing by accident in the 1980s, writing magazine articles to pay for my studio. I have to put myself into the position of writing; sometimes it doesn't work, and sometimes it works great.
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My first obligation is my job. It's very hard to really get into campaign mode when you've got to focus on doing the work.
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Embracing the fear of freedom, deciding to determine your own path, this is the work of a grownup.
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You need to realise that, if you want to go on, you have to work hard. If you dwell too much on your past successes and say "well, I have won nine world titles and more than 100 races", you'd rather stay home. The sport, your rivals, the tyres, your motorcycle, everything changes so instead you need to work more to be stronger. If you don't, you're finished.
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It wasn't my childhood fantasy to work with Truffaut or be in obscure films. I like Midnight Run better than I like The Bicycle Thief. It was films like Die Hard and Bladerunner that made me want to be an actor.
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To combat the monotony of gym workouts, I started playing soccer. I looked at workouts as training sessions. My soccer training includes squats, pushups, resistance-band work, and sprints. Ninety minutes of running became part of my love of the game rather than a chore.
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I see my upbringing as a great success story. By disciplining me, my parents inculcated self-discipline. And by restricting my choices as a child, they gave me so many choices in my life as an adult. Because of what they did then, I get to do the work I love now.
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I just got my work visa to shoot 'American Horror Story,' and my official status is 'alien with extraordinary abilities.'
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I don't really worry about the size of the part much any more. It's nice to have more time to work on the character, and to have big scenes to play. But if there's something playable there, and if it's interesting to do, then that's nice.
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With the solo stuff, it's like starting over from scratch. It's rolling up your sleeves and getting down to work.
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I'm based in L.A., mainly. I'm pretty much there a lot of the time doing work.
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Everyone at 'CSI' has been so great to work with, and so great in terms of scheduling. There's a real feeling of family on that set... I've grown to have so much respect for the cast and crew - they're been together so many years and still care about the show and each other.
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I have total confidence in Beaute Prestige International to accompany me in creating a perfume that interprets my work and my world.
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The role of the writer is not simply to arrange Being according to his own lights; he must also serve as a medium to Being and remain open to its often unfathomable dictates. This is the only way the work can transcend its creator and radiate its meaning...
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I have a good family. I have good friends. I have people that actually care about my wellbeing as opposed to just work and just need me for work or whatever. Like, people that genuinely look out for me and my health, knowing how much work I put in.
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One of the more interesting things I've learnt since becoming a writer is that if you like the book, you'll generally like the person. It doesn't always work in reverse - there are huge numbers of lovely people out there writing not very good books.
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If we notice a few errors in the work of a proven master, we may and even will often be correct; if we believe, however, that he is completely and utterly mistaken, we are in danger of missing his entire concept.
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I have wit in my work and a sense of humor, but I do not use irony in any way.
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I never, ever objected to hard work.
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I always could hit, but fielding I had to work at. I took as much pride in fielding as hitting. I became a complete ballplayer. I knew when to take the extra base. I knew about the outfielder hitting the cutoff man. I knew when and how to bunt. I knew when to hit-and-run.
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That's what I need to work on - my charisma in front of people.
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Bloated, one Kirchner himself staggers off to work, where all work is in vain and the onslaught of mediocrity flattens everything. Like the cocottes that I painted, that is how one is now. Wiped out, next time gone.
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We will, of course, work with whoever Americans decide to elect as president.
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A 300pp novel can easily become a 200pp novel by printing with smaller type; a 100pp screenplay can potentially become a film of between 60-140 minutes in length; a 200pp stage play could be performed in anything from 30 minutes to four hours. For all these media, the script length is agnostic to the final work.
