Work Quotes
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Khadi work without the mastery of the science of khadi will be love's labour lost in terms of Swaraj.
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We have a habit in writing articles published in scientific journals to make the work as finished as possible, to cover up all the tracks, to not worry about the blind alleys or describe how you had the wrong idea first, and so on. So there isn't any place to publish, in a dignified manner, what you actually did in order to get to do the work, although, there has been in these days, some interest in this kind of thing.
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I'd rather work to live than live to work.
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I think filmmaking is largely about preparation and taste and luck. If you have all of those three things, I think you will find you can work somehow.
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It’s necessary but not sufficient to learn and then work. You must learn from the work and learn while you work.
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I'm lucky, I can sleep from takeoff until we land; so I'm fresh, rested and ready to work on arrival.
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Maybe it's a cultural thing, being Korean, but my first reflex has always been to exude humility - but it doesn't help you in acting. For acting, humility isn't the best thing. It'll weaken your work.
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Nobody ever thinks that the work they're going to do could ever be bigger than the one they do before, especially if you're lucky enough like I had to have such a huge thing as 'Phantom' was.
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If you've done the work, done the training sessions, when you go into these games, you should feel ready. All you can ask is, 'Did you do your best, and try your best,' and then what happens, happens.
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Why work? The gods are there to lavish upon the faithful the good gifts of nature.
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Instead of me telling them what they need to work on, I wanted to hear from them what they needed to work on.
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It just helped going to work every day, knowing that you're going to work with guys that believe in you; you're going to work for guys that believe in you. You want to perform for them.
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There is a theme that runs through my work, and that is: the toxic property of keeping secrets.
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So you want to take the risk, and you want to step out there; you do it because that's what we have to do as actors. And sometimes in TV, it becomes big, and it becomes about the entertainment, but also, we have to focus in on the work.
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I think that whether you've just begun writing or whether you've been writing for fifty years - I mean, I'm excited to get there and tell you about it when I do - I think that there's always the challenge of believing in yourself enough to get the work done and not being so taken with yourself that you're unwilling to continue to work on the work.
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Johnny U was an American original, a piece of work like none other, excepting maybe Paul Bunyan and Horatio Alger.
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You know, essentially when you do a play you're reinterpreting a work of art that already exists. That's not what happens with a movie.
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It's hard to decide how to match words to music. It's not like it's twice the work. It's always difficult for me to explain to the composer what I'm looking for. I'm not a professional; I lack even basic knowledge about writing music.
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People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.
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When I emerged from drama school, I had no expectation that I would ever work in film.
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I never started writing because I wanted to write myself stuff. It was really more that I had these stories to tell, and I wanted to work with people that I respected and liked.
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I work through teams. It's the only way I know how to work.
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Inspiration is indispensable to my work, but it is hard to come by. It is there or it is not; it is a gift of the gods.
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I went to work in accounting at Arthur Andersen. At one point, it was the creme de la creme. I wanted to work there because it looked like the hardest thing I could find, and I loved being on a steep learning curve. I progressed quickly, and two years out of college, I was managing a small team of people.
