Why Quotes
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I don't honestly know why they offered me the part in Rent.
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I think Barbie and I are very similar in many respects. That's why she made such a great muse for the summer Moschino collection.
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In making certain things easier for people, technology has actually demotivated people from using their brains. We have all these devices that keep us connected, and yet we're more disconnected than ever before. Why is that?
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I ought to be more hardboiled; I'd like to be. I don't think I have it in me. To write in clipped sentences. To employ gritty metaphor in the introduction of sultry blondes... I can't do it, so why bother trying?
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For me, it's a real shock to see American mainstream films. I can't see these films because it's always the same thing to me. This is very American. Violence is very American, and I can't understand these films. Why do they use violence? To show what? Masculinity? To show fear? Defense? What are you showing with all this violence?
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Once you understand what a messy, emotional, and destructive dynamic 'fairness' can be, you can see why 'fair' is a tremendously powerful word that you need to use with care.
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You have a plantation where you have 10 white people and you have about 50 or 60 black people. The automatic thought was, 'Why didn't they raise up? Why didn't they overpower? They had the numbers.' But really these people, their hope was broken. Their sense of love was broken. Their appreciation for who they were was broken.
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When you do a first movie, you're contractually supposed to do the second one and then you don't do it, you become an executive producer. That's why there are a ton of directors who have executive producer credits on other movies.
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The nature of comedy is 'just do it.' But I think what's interesting about it is this joke has been around and why. And it's just saying what's wrong and how wrong can you be if you say it.
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Someone will ask later, sometimes searching for a name, his own or someone's else's why I neglected his sadness or his love... But I didn't have enough time or ink for everyone. Or maybe it was the strain of the city, of time the cold heart of the clocks.
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I don't feel the need to define nothin' to nobody, because I'm always changing. Why say that I'm this or that when I might not be tomorrow? I'm gonna follow my own feelings and my own heart.
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The 500X and Jeep Renegade are very different cars, but they are manufactured in the same plant and share R&D, which reduces the total investment required by 1 billion euros. That is why I'm convinced that the industry needs and will see more consolidation in the future.
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Why hurry over beautiful things? Why not linger and enjoy them?
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The challenge that I set for myself was to see whether or not plot and structure could coexist, and why it was that we had to always privilege one above the other.
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One of my major shortcomings - I'm vindictive. I don't know why that is. Even in petty things in my life I tend to strike back. It's a lot more pleasurable a sensation than feeling threatened.
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Wars have economies. And I don't mean financial economies, although that's often part of it. Why do people continue fighting these wars? There are financial incentives.
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I'm not a city kind of guy. I'm happiest when I'm tromping through the woods. That's why I don't live in Los Angeles. Being physically away from Hollywood probably loses me a few jobs, but the best ones seek me out.
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I can look into someone's eyes and feel like I know her better, versus a phone call, where you can't get that same type of emotion. That's why text messaging gets you in trouble: You can't bond, and emoticons explain only so much.
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I have no interest in anybody's life that way so it defeats me why people go to that length to pry.
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When you have a lot of money, there's so many places you can go to manage your money. But when you don't have money, mathematically you actually need a financial plan more. You can't really afford to make mistakes. So why is this such a luxury product?
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If you can come out from under pain, why wouldn't you? You definitely can. There's no question.
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I think it is immensely difficult to get the U.S. interested in non-U.S. topics. I don't think this is because the average American reader is disinterested, but more because of publishers playing it safe: if a thriller based in L.A. is a sure winner, why spend money plugging one based in Paris - or Bangkok?
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In a way, I don't want to know what's being said in casting offices, because it can get pretty brutal, and I don't want to have to think about the reasons why I don't get one job or do get one job.
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When Sir Arthur Conan Doyle conceived Sherlock Holmes, why didn't he give the famous consulting detective a few more quirks: a wooden leg, say, and an Oedipus complex? Well, Holmes didn't need many physical tics or personality disorders; the very concept of a consulting detective was still fresh and original in 1887.
