Why Quotes
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If you are watching a fairy tale, that's why you go to fairy tales: you want these uncomplicated stories and uncomplicated characters. But if it's meant to be real life, you want there to be some reflection of your experience and have something you can hook into.
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The existence of the Taliban, in my view, is a tragedy for Afghanistan. We as Americans need to understand our role in helping bring that tragedy about. So I think it's important to look at the stories about why these people are fighting.
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Sometimes I think, 'Why should I care about doing well in New Zealand?'
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I'd be absolutely happy to go back and make a smaller picture. I never want my choices to be dictated by budget. That's one of the reasons why I take so much pride in being able to make films for $2 and a paper clip - because I can always get my hands on $2 and a paper clip. I never have to ask for permission for that.
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I was very curious about the world even at a young age, and I don't know at what point I became aware that other cultures believed in different religions, and my question was, 'Well, why don't they get to go to Heaven then?'
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There's that rule: Don't show any of the other cameras. Why? Do you think the viewer doesn't think we filmed this?
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Why marry a woman if you're going to betray her, and if you're going to betray her, why beat her? The fault is not hers ... I sometimes think the worst we do, we do behind closed doors.
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I think it's imperative to keep your focus on why you're in school. You're in school to get an education.
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With TV, you're in people's houses every night. And you have so much time to tell stories. I don't know why I didn't do it before.
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I like playing characters that are complex, that are intriguing, that come from left field, that do things that are unexpected. I don't like people who just follow one line and that's it - that's why I could never be in a sitcom, I don't think. They're not intriguing enough for me.
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Textbooks describe economics as the study of the allocation of scarce resources. That definition may be the 'what,' but it certainly is not the 'why.'
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I was going to hang it up on the twenty-fifth year of this show. I don't know why. Maybe twenty-five years is enough. And I found out that I was having so much fun doing the show that we decided to stick around for a while.
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Maybellene, why can't you be true?
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I've become wary of interviews in which you're forced to go back over the reasons why you made certain decisions. You tend to rationalize what you've done, to intellectually review a process that is often intuitive.
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I never quite understand why we watch the news. There doesn't really seem much point watching somebody tell you what the news is when you could quite easily listen to it on the radio.
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Mumbai is home, so there's no comparison. But then again, New York's a lot like Mumbai, which is why I choose to live there. It's fast, crowded (in a good way), the people are friendly and it's full of color and race, like Mumbai. Unfortunately, the traffic's also just as bad.
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Why should I need a prescription to spit into a vial and get my DNA read? Why can't I get my own blood drawn without a doctor's permission? It's my blood.
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I believe we all grow because we share our experiences and our problems. We all have our intimate times. Why not share them?
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Of all the questions I get asked as an undocumented immigrant in the United States, there are two - asked in various permutations via email, social media or in person - that chill me to the bone: 'Why don't you just make yourself legal?' And: 'Why don't you get in the back of the line?'
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I didn't start to collect records and listen to guitar players properly until I went to art school, when I'd already been playing for five years. So my style was already formed, and that's why I think it's so unique.
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Geraldine: I'm quite sane!Rance: Pull yourself together. Why have you been certified if you're sane? Even for a madwoman you're unusually dense.
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That is why I fought against abortion and that is why if I were still in the Senate I would be doing everything I could to defend the sanctity of marriage.
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As a four-year-old, my mother told me I was climbing the fence, jumping off and calling myself an 'eppyplane'... I bought books on aeroplanes, I followed everything in the newspapers about aeroplanes. Amy Johnson flew to Australia in 1930 - why couldn't I do something like that?
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There are so many actresses I want to write for. I see them, and I think, 'Why is she not playing that lead? What's happened to that actress?' I think all I can do is to write parts for women, to say, 'Keep going, keep acting, because there are parts for you. There will be those plays.'
