Why Quotes
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I think the sitcom is the format for television. It's the essential form, and it represents more of the canon of TV, which is why I latched onto it.
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I said that if I hadn't been a politician, I'd have liked to be a barrister, or an academic. My beloved wife said: 'You'd be a very good barrister and a hopeless academic.' I said 'Why?' She said: 'Because you're not an original thinker.'
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We love movies like 'Edge of Tomorrow.' It's why we go to the movies, and it's why we make movies.
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Why would you listen to an astronomer about a planet?
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There is a neurologist, a woman over at Harvard who wanted me to come talk to them, and in France I have a lot of readers in the sciences. I can't tell you why.
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I often felt like that Mr. Magoo figure in the cartoon, who just wanders through traffic, and somehow it never hits him. I kind of feel that way about my whole childhood: Why do I have a normal life?
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Why do we need to support the food stamp program? Because low-income families experience unemployment at a far higher rate than other income groups. Because cutting nutritional assistance programs is immoral and shortsighted, and protecting families from hunger improves their health and educational outcomes.
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Why do you have to be a nonconformist like everybody else?
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I suppose there are actors who are worried about their public image. But I've never had any trouble playing unpleasant characters. It is only a part. Which is why you do it -because you are interested in exploring something you never could or would be.
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I was an 'Ironman' fan. It was in the '70s. I definitely liked comics and drew a lot of panels on my notebook when I should have been studying - probably why I ended up in the arts.
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The world of the Greeks illustrates why visual appearances cannot interest people before the interiorization of alphabetic technology. (p. 61)
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And why do we, who say we oppose tyranny and demand freedom of speech, allow people to go to prison and be vilified, and magazines to be closed down on the spot, for suggesting another version of history.
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Why can't peace be a single overriding common purpose: why do we wait for a crisis to pull us together? Let's pull together for peace.
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I don't like to sit still for long at all, which has probably helped me along the way, and partly why I was drawn to the heat of a restaurant kitchen. The rush of service means that you're always on your toes and keeps a chef pretty active.
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I don't understand why I wanted to kill you.
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It was important for me to understand who I am and where I came from. To get a hold on why I do certain things.
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Why is it that we entertain the belief that for every purpose odd numbers are the most effectual?
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Our business is complicated because intimacy is part and parcel of our profession; as actors, we are paid to do very intimate things in public. That's why someone can have the audacity to invite you to their home or hotel, and you show up.
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Every White House Correspondents' Dinner for the past three years, I have broken my dress and can't even zip it, so we have to leave - that's why I've missed every carpet appearance. One time, we had to go into Virginia to find me a new dress.
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You have to be narcissistic to be an artist. You have to think you are the centre of the whole thing; otherwise, why do you create? The only thing is to recognise it, and then you make the best of it.
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So many times, I watch games and think, 'Man, why is that guy trying to score like that? He can't do it.' But he's been told his whole life, 'You have to go get 40 if you want to be one of the top dogs.' It's my goal to build a lane where you can be a top dog, and you don't gotta go get that 40. You can go get four and still be a top dog.
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When I design, I think about the desire someone might have for it and why. I want them to fall in love with it.
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I like to look at scenarios and see how people interact with each other. That's why I'm an actor because I try to recreate that. Since our daughter joined us the spectrum has widened.
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Part of the reason I wanted to model was to push the boundaries and challenge the perceptions of what a beautiful body is supposed to look like. Why should I feel any differently about looking good than anyone else?