Language Quotes
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I originally wanted to embrace the imagery and forthrightness of rap music. There are some interesting, dynamic voices in rap. But I find most of it irresponsible in its overt violence and commercialization of anger. As artists, we believe we can will action through language. If that's the case, we have to take responsibility for what we say.
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A lot of times, we look at jazz in eras. How can we not keep those eras separate and think of the language as one complete continuum? It's all interrelated, and it's all evolutionary.
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Absolutely nothing is so important for a nation's culture as its language.
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It is useful to the historian, among others, to be able to see the commonest forms of different phenomena, whether phonetic, morphological or other, and how language lives, carries on and changes over time.
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I am not musically educated yet. I don't read - I make my own language that works for myself. But I play by ear.
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Math is my favorite subject. It's the universal language. I like the fact that wherever you go in the whole world, two plus two will still be four.
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With Lille, we could have gone to the South of France, and people wouldn't have recognised us. But at Chelsea, the players are at another level. Everything has changed – the language, the country – but it is up to me to adapt.
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I tried to take seriously the idea that if you tortured language you might arrive at some new truth. Later it became clear to me that I was retreading ground by fighting the literary battles of the 1950s and 1960s, and that I was actually a bit bored by some of the books I professed to love.
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Science is the language of the temporal world; love is that of the spiritual world. Man, indeed, describes more than he explains; while the angelic spirit sees and understands. Science saddens man; love enraptures the angel; science is still seeking; love has found.
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That term, 'David and Goliath,' has entered our language as a metaphor for improbable victories by some weak party over someone far stronger.
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Every country can be defined through their food, their music and their language. That's the soul of a country.
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I think with all my books, language has been their subject as much as anything else. Language can elide or displace or sideline whole groups of people. You can't necessarily change the way language is used, but if it becomes something you're conscious of... that gives you a certain power over it.
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When a human being becomes a set of data on a website like Facebook, he or she is reduced. Everything shrinks. Individual character. Friendships. Language. Sensibility.
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Dancing doesn't have a language.
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I want to live in Kolkata; I don't want to live in Europe - I can't write there. I write in Bengali, and I need to be surrounded by the Bengali language and culture.
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There's a melody in everything. And once you find the melody, then you connect immediately with the heart. Because sometimes English or Spanish, Swahili or any language gets in the way. But nothing penetrates the heart faster than the melody.
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The real being of language is that into which we are taken up when we hear it - what is said.
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We do not create marriage from scratch. Instead, in the elegant language of the marriage ceremony, we 'enter into the holy estate of matrimony.'
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I think you can really tell a good actor if you can put a camera on them and they can just talk and emote and react and you don't have to keep cutting away from them, because they are the language and the behavior. It's all a tour-de-force performance.
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I loved everything about Spain - the people, the language, and the food!
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In the era of imperialism, businessmen became politicians and were acclaimed as statesmen, while statesmen were taken seriously only if they talked the language of succcessful businessmen.
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I write in the most classical French because this form is necessary for my novels: to translate the murky, floating, unsettling atmosphere I wanted them to have, I had to discipline it into the clearest, most traditional language possible.
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Sometimes I try to improve the language, the lines, or the delivery, but I don't ad-lib because I think that makes it really hard for everybody else involved.
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Mostly people are ignorant, what is the language of painting. You know, they're ignorant. It is so difficult to make them aware, but time will teach them.