Magic Quotes
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The Polar Express is about faith, and the power of imagination to sustain faith. It's also about the desire to reside in a world where magic can happen, the kind of world we all believed in as children, but one that disappears as we grow older.
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I like the evening in India, the one magic moment when the sun balances on the rim of the world, and the hush descends, and ten thousand civil servants drift homeward on a river of bicycles, brooding on the Lord Krishna and the cost of living.
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I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.
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What really happens is that the story-maker proves a successful 'sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside.
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I like celluloid, I like film, I like the way that when a movie is projected it sort of breathes a little in the gate. That's the magic of it to me.
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I had acting teachers, and one of the things that was encouraged was to keep it fresh, to be spontaneous. That's the magic of film often.
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The magic in performing as an entertaining ventriloquist happens when the characters come to life and the interaction between the separate personalities on stage becomes 'real.' Then don't forget that the act has to be funny, and to me, being funny and entertaining any given audience is more important than anything.
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Your sanity is harder to get back than money or contacts. You are the magic. You are the art. You can't lose that.
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In a sense, touring is crazy. You go city to city playing the show over and over again. But there's something magic about being in front of people, so it's not like going through the motions every night. It's a different experience.
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I never imagined myself in a movie with magic.
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I understood right from the start that every set of library doors were the sort of magic portals that lead to other lands. My God, right within reach there were dinosaurs and planets and presidents and girl detectives!
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Art gives us an opportunity to not have to leave or go somewhere or do something to experience the magic in our lives. It actually gets us to sit back and be where we are and recognize we're already magical.
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When I was a little kid - and even still - I loved magic tricks. When I saw how movies got made - at least had a glimpse when I went on the Universal Studios tour with my grandfather, I remember feeling like this was another means by which I could do magic.
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I'm fanatical about movies: African, European, Viking, Roman. I got into witchcraft and magic from watching 'Bewitched' and 'The Wizard of Oz,' which shows in some of my outfits. I dress to reflect the whole spectrum of the universe.
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The magic doesn't come from within the director's mind, it comes from within the hearts of the actors.
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I went to Mexico because it has a magic that does not have any other country in the world, but I insist, do not think it was vini, vidi e vinci. There were many years of fight, because Mexico is a very unsociable country.
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Through my research, I found that vulnerability is the glue that holds relationships together. It's the magic sauce.
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The magic that you find in surf music, I think, is really timeless. You know, when I was very young, I was in a surf band. Surf music is an instrumental music that still means a lot to me, not in an nostalgic way, but as something that really gets to the heart of the guitar itself.
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I loved: and in the morning sky, A magic castle upward grew!
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If there are three words that need to be used more in American journalism, commentary, politics, personal life... it's the magic words 'I don't know.'
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I was very influenced by The Magic Mountain. It's a book that had a huge impact on me. I loved that as a shape for a novel: put a bunch of people in a beautiful place, give them all tuberculosis, make them all stay in a fur sleeping bag for several years and see what happens.
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He who confesses magic or sorcery shall do penance for the time of murder, and shall be treated in the same manner as he who convicts himself of this sin.
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For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
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I don't think 'Magadheera' should be remade, nor do I think it will be remade. It is very difficult to recreate the same magic.
