Page Quotes
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I've always followed this page on Instagram called the Sausage Dog Hotel.
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I like writing a lot more than I used to. I used to find it scary but now I've got used to it once it gets going. I used to find it hard to start. Fear of the blank page. The first thing you write down won't bear any relation to what's in your head and that's always disappointing.
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I think back to some of the things Harry said and some of the things I said trying to be funny. If I said them now, it would be on the front page of every newspaper in the country.
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My job as an author is to tell the story in the best way possible, to make it flow seamlessly and get the reader to keep turning the page.
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But a writer's contribution is literary and a film is not literary. When you take that stuff off the page, and cast the people who are going to fit into those roles, that's what being a director is.
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Tone is somewhat totalising in that, once I locate it, it tells me what kind of syntax to use, what word choices to make, how much white space to leave on the page, what sentence length, what the rhythmic patterning will be. If I can't find the tone, I sometimes try narrating through the point of view of someone else.
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We can and must turn this page if we are friends and are prepared to look one another in the eye.
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The characters in my stories all have quite loud lives in my head. It's a relief to get them on the page. Often they come from people I've noticed or overheard - but that is only a part of them. It's only by writing that I discover who these people really are.
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The answer scrawled on a blank page in a daily newspaper, was conceived whilst aboard a ferry.
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Get rid of half the words on each page, then get rid of half of what’s left.
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Ghostery lets you spy on the spies in your computer. For each web page you visit, this extension uncloaks some - but not all - of the invisible tracking software that is working behind the scenes.
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The writer presents himself to the blank page not with an open passport but an open heart.
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If Clark Gable had a Facebook page, there would have been a 'Gone with the Wind 2.'
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When writing screenplays, it's a matter of remembering to leave off the page anything and everything that doesn't appear on the screen.
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Most writers have no idea how to make a film. It's a totally different skill set. Nor is it just to translate exactly what's on the page directly on to the screen - because that would be terrible. It would be five hours long, and the structure would be a mess. But the writers know the characters and the story.
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A well-conceived product excels at what it does. It's close to being functionally flawless - like a Ziploc bag, a radio from Tivoli Audio, a Philips Sonicare toothbrush, a Nespresso coffee maker or Google's home page.
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Nobody wants to read a 600 page book in which the author is fabulous throughout.
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I have on my wall right now a front page of the 'Journal' from January 1991, when I co-wrote a front-page story about Iraq firing missiles at Israel. By October, I was writing about tech products.
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In a normal movie, you'd never see one guy talk for an entire page, whether good or bad.
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Once you join the queue for the immigration line, pay attention to what the expeditor tells you. Have your papers ready. Don't have your cell phone out. Take off your hat. Open your passport to the page with your photo and present it to the immigration officer already open.
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What's frustrating to me is when, on a low-budget movie, people don't take chances. A big-budget movie, that script's your bible; nobody's going to risk going off the page. But when you're doing a very low-budget film, why not take some chances, intellectually, artistically?
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Whether you come back by page or by the big screen, Hogwarts will always be there to welcome you home.
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I'm not a critic. I'm an actor. I see the role I get given on the page. I try to bring it to life as best as I can.
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A movie will do in one second, with one image, what it will take a novelist at least a page to describe.
