You Quotes
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When you advise any person you should be guided by the fear of God.
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At all times, think like a writer, and keep those antennae twitching - that way, you pick up new ideas.
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Roy Keane and Paul Scholes were unbelievable players. You cannot compare yourself to them. It is impossible. Scholes especially, I like him a lot, and I have a lot of respect for what he did for United.
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Make yourself comfortable in everything you do.
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Who you are speaks so loudly I can't hear what you're saying.
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Marriage is another trap. If you are someone who likes independence, it's another stamp against that. And you have to swear to fidelity.
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I've always been really, really aware of my insecurities - really, really aware. I never developed that thick skin that keeps you from letting things get to you.
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There's a lot more to see when you're playing and because of the advances in technology it makes room for all kinds of new characters.
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It was unpredictable, good storytelling that brought you back each week.
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Enjoy doing nothing, and you can enjoy doing anything. Enjoy having nothing, and you can enjoy whatever you have.
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You see, the poverty program for the last five years have been buy-off programs.
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Revision has its own peculiar pleasures and its own peculiar frustrations. The ground rules are already established; the characters already exist. You don't have to bring the characters to life, but you do have to make them more convincing.
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If you just give somebody a blank check without any deliverables associated with that, you're not going to get the improvements that you want to get.
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I had stories that needed more space than the hour and a half or two hours a movie gives you.
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When you're fighting with a stunt person, your intent is to miss.
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When you battle Nancy Pelosi as much as I have, you're bound to get a few wrinkles.
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The biggest part of Loopt is about discovering the world around you, never replacing a social experience - only adding to it.
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It was just two energies between two people, you can't prescribe that.
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When I started out modeling, there weren't casting directors and there weren't stylists, so you just dealt directly with the designer. We were all much closer back then.
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It doesn't matter if you don't have a complete set of anything because repetition creates pattern, repetition creates pattern, repetition creates pattern.
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Scientifically speaking, if I say something, or it gets misquoted, or people put a spin on it... I mean, are you interested, really, in what people are saying?
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Every 20 minutes you've got to have a bump, you've got to have a change in course, you've got to unsettle the audience. It can't be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn't let an audience feel too settled in.
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With Shakespeare, there's no subtext; you're speaking exactly what you're thinking constantly.
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You've got to bring yourself to any character you do.
