Music Quotes
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Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
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I grew up listening to a lot of Ray Charles and '60s rock, thanks to my father, and then my brothers got me in to KISS and whatnot, so I guess that's where I got my first taste for music.
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I just can't wait to continue creating music.
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You never really know as an actor; it's completely out of your control, in terms of editing, and music, and film stock, shot selection, and what takes they use.
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I do the same things I did when I was 12 years old: I ride bikes, I read books, I walk in the woods. And I listen to music.
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About myself I have no great illusions. I know what I am. I know what I'm good at. I know what I ain't. I'm always hoping to surprise myself. But I do have a love of music and I do love to communicate it, and that's the best I can do, really. And I can raise a good family, too.
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There were so many groups that I had in college, but I was always the solo singer. But what made it so unusual back in the day was that I was a black girl playing with all these white musicians, and I was also singing rock music on top of it.
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Pagers are my life-I try to get them in to our music as much as possible.
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I'm very bad with music. I don't know any new music. I've listened to the same 10 or 12 albums my whole life.
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I was like, 'Man, bluegrass - that's like Roy Clark playing banjo on 'Hee Haw.' I'm a huge 'Hee Haw' fan. But I didn't know about bluegrass. It seemed like old people's music.
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I think I managed to trick people a little bit into thinking I'm more arty by making creative, artistic, visual work and applying it to commercial music. Maybe. I don't know.
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Entertainment isn't just based on the very structured syndrome of European popular music, and it's great that there are so many thousands of people who are of the same opinion.
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I used to listen to my music on the bus. It was one of my favourite things, to look out the window and over at the Jacques Cartier Bridge and Parc Jean-Drapeau.
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Towards the end with Pantera - although I was never unhappy with the music we were making - it became one-dimensional, and we wanted to open things back up.
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Own what you are, and I mean whether that's art, or whether that's fashion, or whether that's music, or whether that's acting, or whether that's politics, or whether that's literature; it's own what you are, and grab it, and, you know, be as prolific as possible.
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I love gentle, gorgeous classical music such as Mozart.
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At first, I thought I could go to school and do music on the side and be successful, but the more I began to understand the industry, the more I fell in love with it.
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I've always been one for show business. I like performing, and I used to get criticized for having production value. But now it's all that! People need to get what they pay for! Otherwise, just listen to recorded music.
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I have always been far more interested in sound than technique, and how sounds work together, how they can be layered. I think electronic music, in its infancy anyway, allowed us to create music in a way that hadn't really been possible before. It created a new kind of musician.
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Hip-hop is the only music in the world where you can take any instrument and make it hip hop. It's anybody's music. It's what you make of it. That's for anything you do in life.
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For me, there is no day or night for music. I often work through the night - without phone calls disturbing me.
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You're just playing, playing, playing, and then an image or something will come into your mind, and basically you're just narrating it with music, letting it move along.
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Everyone in Tool is interested in how we present our music. We write a group of songs that have a vibe, energy and feeling, and then we try to pick an image to capture that and communicate a feeling. We want something that adds to the connection with the audience.
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The only reason I'm able to do music is because I'm making money on 'Community.' If I wasn't, I couldn't pay for things.
