Music Quotes
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I did psychology at university, but I wouldn't say that my music is too influenced by it. The way I make music is a little more to do with an emotional connection. When I compose the melodies for my tracks, it always comes from the heart.
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The woods are hush'd, their music is no more; The leaf is dead, the yearning past away; New leaf, new life--the days of frost are o'er; New life, new love, to suit the newer day: New loves are sweet as those that went before: Free love--free field--we love but while we may.
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There is some sampling on my records and a lot of what I call replays, where I'd have musicians come in the studio and replay the sample from the original record. But mainly, we'd come up with our own music.
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I'm one of those artists that people take my music without my consent. People love to snatch my music and do things on their own. You got people that put me on beats I never rapped on. I just feel that it's a bad thing.
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I always listen to music while I'm working and I always read aloud to my wife. I love to read aloud to an audience because there's a cadence and a beat. There's a music to the language that's very important to me.
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Music speaks directly to the heart. This response, this echo within the heart, is proof that human hearts can transcend the barriers of time and space and nationality. Exchanges in the field of culture can play an important role in enabling people to overcome mistrust and prejudice and build peace.
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Baseball fans! Good lord! I feel like sports fans get mad at you easier than country music fans. It scares me. I'm glad that country fans don't get mad every time I mess up.
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The very first music I recorded by myself, when I was 17, I said it was by King Tuff.
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'Singing Saw' was exactly seeing through my eyes; 'City Music' let me write from somebody else's perspective, somebody living in New York.
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I don't think I was ever particularly mean. I can certainly think of some idiotic exchanges I've had. I was accused of destroying pop music, like Wagner destroyed opera - a guy in Germany started ranting that at me.
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I can't rank anything. I mean, how could anyone possibly say what their favourite piece of music is? I don't have the ability or the desire to categorise things of that nature.
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N.E.R.D. was also from - not too far from where I was from growing up. For a lot of people who make music, that was a huge influence in teen years.
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For you to be able to rap fast and fit many words into a bar, that's what rap is about, the showmanship. That's the thing we're kind of losing now. I'm not saying that the music now is horrible. I mean, I don't listen to it. The showmanship and creativity in rap is what made it special and what made it different.
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Before I start, I create a set list that I listen to while I'm writing. For 'Intimate Apparel,' I loaded Erik Satie, Scott Joplin, klezmer music, and the American jazz performer and composer Reginald Robinson.
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The idea of a musical comedy was something we had had in mind for many years, but the project 'Igudesman & Joo: A Little Nightmare Music' has a history that goes back five years. I can say that this is the most successful project that we have ever done.
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I struggle sometimes superficially with my management or with my own career about how much time I spend traveling or giving myself away to promote my music or myself when I'd rather be gardening or surfing or being at home with my loved ones. And everyone struggles with that; everyone struggles with having to go to work. And I struggle with how humankind ended up this way.
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I never got into sports at all until I was in my early 20s, after my music career got going.
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The virtual choir would never replace live music or a real choir, but the same sort of focus and intent and esprit de corps is evident in both, and at the end of the day it seems to me a genuine artistic expression.
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This never gets old, and when it does, I'll go do a movie. I like the fact that I can get into other projects because everything feels fresh when I come back to music.
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The only thing that I miss lately in all music is somebody that will put out a melody that you can whistle. It doesn't seem like there's anything happening like that.
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I grew up with my family in a gypsy neighborhood. There was music all day long until late in the night. My father was a guitar player and composer, my two brothers Ramon and Pepe became musicians. When you hear music every day it becomes like milk that you drink and that you need every day. And even before I started to play an instrument, I knew all the rhythms and was able to distinguish the falsettas' in the compositions.
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The classical music scene was completely unfamiliar to me. It was something that I didn't have the most fun associations around. A lot of people don't - they think of older generations and stuffiness. But it's not. You listen to the Overture of 1812, and you can hear a rock n' roll catharsis.
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Sometimes I write music, sometimes I don't. I think I'm just writing more what's close to my heart, and musical stuff is close to my heart, and it's fun to write, and when something's fun to write you don't think about what statement you're trying to make or what genre you're trying to hone in on.
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I think the rebuilding of the city has to start with the spirit first. So the music, the vibe, the connection spiritually with the artists. Everybody out here is the main key. A lot of people are still in a lot of tough situations. My heart still goes out to the people of New Orleans.
