Music Quotes
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Fleet Foxes are a really talented band. They make beautiful music.
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I mean, the way I see it is, every penny I've ever made through music is free money.
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The whole process of music for me is something absolutely honest and really naked and bare, so I never forced myself to write in French.
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If you want money, buy lottery tickets. If you love music, practice and keep your overhead to the bare minimum. Keep your promises, who you are is more important than what licks you know to any band leader.
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I had a vision of myself as a novelist because that was where I could be serious. I couldn't with music.
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We've got many different sides of music to us.
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In college, I faced an interesting problem. I wanted to play music all the time and yet I wasn't ready for anyone to hear it. To remedy this, I took to retreating to stairwells as a safe place to sing and write music. It was there that I wrote most of my songs in college and really grew into an artist.
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We are just party people. We always had a drink in the evening with the music on and space to dance. It was that kind of a family.
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Open Graph is a language for structuring content and sharing that goes on in other apps, and we're continuing to build it out longer term. But we found we need to build more specific experiences around categories like music or movies. Where we've taken the time to build those specific experiences, stuff has gone quite well.
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Music inspires some feeling in you. That's the same way I think about Uber.
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I tour Europe a lot. They still have a love and a fascination with the basic thing about music - how it feels and that being the focus. I've got people bringing their kids. And their kids bring their kids. The grandchildren are getting selfies with their Uncle Al.
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There's a spiritual complement to any attempt at transposing a commitment to humanity through music or art.
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Music is a healing tool.
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My mom loved rock n' roll. My father hated it. We couldn't play it when he was around. He liked classical music and Duke Ellington.
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That really was a lot of the appeal of 'Rumours.' The music was wonderful, but the music was also authentic because it was two couples breaking up and writing dialogue to each other. It was also appealing because we were rising to the occasion to follow our destiny.
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This American Jewish music is a new experience for us at least consciously.
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Not only am I putting music out there, I'm giving part of myself away.
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Is as if the music is another character or as if it was a part of this great opera. I also through about this project as a structure or as a sculpture made out of colors, rhythm, characters, and brush strokes, but with every single one of these always supporting one another.
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My goal is to live the truly religious life and express it through my music. If you can live it, there's no problem about the music, because it's part of the whole thing.
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The Indian music market is very film-oriented, and any other creative music venture doesn't receive enough support. I'd rather do singles and put them on my website.
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We sang a lot of church music. We were very active Baptists. Supposedly, I started singing when I was being given a bath - at 14 months or something like that. My mother and dad both swore that was true, but I'm sure it wasn't very good... We always had the Metropolitan Opera on the radio on Saturday afternoons.
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When you say, 'Man, what kind of music does Outkast make?' You be like, 'They make Outkast music.' What kind of music does N.E.R.D. make? They make N.E.R.D. music. I want to be one of those people, because there's so many layers to the music I create that I don't want people to expect me to do one thing.
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I went to college for, like, a year and a half with the intention of doing some kind of art therapy or some kind of teaching of art, because I feel like art is a more free area in school than music is. I feel like music is too mathematic for me. Music school's so hard. It's math.
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A music director cannot and should not be chosen on the basis of a first date. It is not so difficult to make a good impression with a single appearance, usually containing some of a conductor's party pieces, works they have performed successfully many times before.
