Early Quotes
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Warnings about children being overscheduled, racing from one enriching activity to the next, first surfaced in the early 20th century.
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I started playing in bars when I was about 15 years old, and there are things that I saw early on that really shaped who I am.
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In my early teens, science fiction and fantasy had an almost-total hold over my imagination. Their outcast status was part of their appeal.
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As far as rap goes, I grew up in Hollis, Queens, so early influences were people like Run DMC and LL Cool J.
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Everything is a narrative in life. I learned that early on as a reporter at the 'Washington Post.'
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I didn't have any extra money. But I can't say that I had a hard early career.
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In the early stages of our involvement in Vietnam, basically I felt that our course was right. My concern grew with the concern of the American people.
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In my lab, we're interested in the transition from chemistry to early biology on the early earth.
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I knew from an early age exactly what I wanted to do. I wanted to be a musician and that was it. It made life a lot easier knowing what I was aiming for.
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It is a great piece of folly to attempt to make anything out of my early life.
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Many of my early Vines and collaborations were with gay people.
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We are very private, so we decided from early on that we will keep the press and editors and everybody out of our house.
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I'm so programmed to getting up early that I like to make the most of the day.
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Well, I don't think it ever did, but in the early '60s I got interested in folk music.
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In those days I was new to covers; merely felt pleased that a story of mine had been honored. I later met Rogers who did some of my early covers and I was impressed with him.
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College kids want to be coached. They want to be taught. They might resist it a little bit early on, but the more you give, the more you get back.
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My parents are from the South - they were both born in Birmingham - so my dad saw R.E.M. really early on when they were playing college stuff in Athens. He had a bunch of their cassettes from the '80s, and when I was 8, 9, or 10, those were the sort of things that were around the cassette player in the living room.
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I record it here today to establish my early predisposition to editorial work - to be both pontifical and wrong.
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I learned early in my career, where you get so wrapped up and so excited, that all of a sudden you don't think. So I worked very hard to keep myself suppressed. And that's one of the reasons I wasn't gregarious with the gallery.
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So many songwriters peak in their early 20s because they're living off their passions.
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There was a bad patch in the '80s and early '90s when feminist thinking had become sort of a monopoly and had developed a series of litmus tests.
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Indy is the next race and it's part of the championship and ... it's kind of special. I know the team and everything is going in the right direction, but it's too early to get emotional.
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It gets late early out there.
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There does seem to be a kind of split. There are those people who are more entrenched in the early electronic years, and new people who have come to it because of people like Nine Inch Nails and Marilyn Manson.
