Thinking Quotes
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A writer is someone who tells you one thing so someday he can tell his readers another thing: what he was thinking but declined to say, or what he would have thought had he been wiser. A writer turns his life into material, and if you're in his life, he uses yours, too.
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I heard a lot of those things. I heard that I was greedy; that I didn't care about winning; heard the questioning of my loyalty. And I'm thinking: 'Of course I want to win. I've been winning my entire life.'
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I always come to conclusions very fast. Well, that is one way of thinking, and the other way would be that I lack the necessary perseverance to stick to one thing that really fits me. I don't know if it's a good thing or bad thing.
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I never really have to sit at a desk thinking, 'What should I do now?' It doesn't work like that for me, and it never has. My thinking process is constant.
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I am thinking of the onion again. . . . Not self-righteous like the proletarian potato, nor a siren like the apple. No show-off like the banana. But a modest, self-effacing vegetable, questioning, introspective, peeling itself away, or merely radiating halos like ripples.
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I remember thinking that people were crazy for reading the same book more than once, but I now have a new-found appreciation for the re-discovery of literature. The lessons we learned from books in the school curriculum are reinvented and updated when we read as adults.
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Convictions can best be supported with experience and clear thinking.
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I don't like myself. I'm not vain at all. I hate looking at myself - I always think I look ugly. Honest.
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In Israel, if a person doesn't agree with you, she just says no. In Alabama, someone would say, 'I'll think about it.' We would take that literally. So, if you ask for a favor and someone says they'll think about it, they're really not thinking about it.
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I didn't invent satire. I didn't come up with it. And it will continue to be a very powerful tool to disrupt political taboos and social taboos and religious taboos, because those taboos are always used to control and to curb people's way of creativity and thinking, by making them feel guilty because they want to make a change.
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Whatever anybody believes as long as it doesn't hurt anybody else, it's fair enough, and works, and I think, is real, and matters. I don't happen to have those beliefs, as much, you know, I don't believe in those things.
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When I look at the success I have, it's because of my creative-thinking skills.
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We might think that we're really intellectual and we're going to check out the library to research the meaning every time somebody puts out a new record. It's still primitive stuff. It's the same now as it was at the beginning. It's no different now. Rock 'n' roll is spirit music-it's just coming through people.
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Ideas sometimes come from nowhere, and sometimes they take lots of thinking.
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The kind of national goal we ought to be thinking about is way beyond national product - it is how do we as a nation help our children be the best kinds of people they could possibly be?
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It is odd how a man believes he can think better in a special place. I have such a place, have always had it, but I know it isn't thinking I do there, but feeling and experiencing and remembering. It's a safety place - everyone must have one, although I have never heard of a man tell of it.
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A lot of people would write to me long stories from their lives, and I felt they were thinking of me as some sort of treasure chest to keep their secrets. I felt like sometimes they would tell me stories they wouldn't tell anybody else in the whole world. And I loved these stories.
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I love thinking of movie stars who could play the characters in the books I write.
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I wish that she had had a black loon because I don't think that Nina [Simone] did. I have always had - I've been very fortunate - a group of little old ladies that I love and who love me, and who turned and to whom I turn at different times.
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'I have a motto: My job is not to make up anybody's mind but to make the agony of decision making so intense that you can escape only by thinking.'
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The artist never really has any control over the impact of his work. If he starts thinking about the impact of his work, then he becomes a lesser artist.
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I really wanted to do something positive on the Internet. I wanted to try to get young people talking about, thinking about, life's big questions-make it cool and OK to wonder about the heart, the soul and free will and God and death and big topics like that, big human topics.
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I was horribly self-conscious; I wanted everybody to look at me and think me the most fascinating creature in the world, and yet I died a small hideous death if I saw even one person throw a casual glance at me.
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So I'm not worried about the emotions I carry with me, because I'm happy that I have them; I think it's good for the work I do. The emotions that are not healthy are the ones you hold inside, like anger.
