Thinking Quotes
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I hope you do not think me prone to any iteration of nuptials.
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It was the joy of your life to know Clark Gable. He was everything good you could think of. He had delicious humor, he had great compassion, he was always a fine old teddy bear. In no way was he conscious of his good looks, as were most other men in pictures at that time. Clark was very unactorly.
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I've always felt heroic about my life... As a child, I remember little girls in the playground moaning about how boys could do more than they could. I didn't think that was the case at all. My parents didn't treat me as a girl.
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Romance, like the rabbit at the dog track, is the elusive, fake, and never attained reward which, for the benefit and amusement of our masters, keeps us running and thinking in safe circles.
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Something I always tell students is, when you're writing something, you want to write the first draft and you want it to come out easily in the beginning. If you're afraid to say what you really have to say, you stammer. [...] You're judging yourself, you know, thinking about your listener. You're not thinking about what you're saying. And that same thing happens when you write.
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The classic think-tank is supposed to be sitting in an attic thinking up grand ideas.
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I was working within a figurative representational framework, and there was a sense of reading the painting as a transparency, or truth, or autobiography, which I think is partially the burden of artists of color - or women, or anybody who is representing a so-called minority position. Are you actually telling a true story, or your own story? You don't just get to tell a story. The readings of the work didn't necessarily conform to my own understanding of mythology, where violence and eroticism and the body and all of these different forms coexist all the time.
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Looking at the pond, all I could think was that it is an incredivle thing, how a whole world can rise from what seems like nothing at all.
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Well, I think it's important to keep things secretive because what's happened so much is the press competes with each other to put as much information out there as they can and sometimes it can be very damaging to the films to have the stories leaked or certain plot details. I think it's important to have something remain secretive for the audience and something special for the audience so there aren't spoilers all over the internet.
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Think of God not as a word, or a stranger, or as someone on high, waiting to judge and punish you. Think of Him as you would want to be thought of if you were God.
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Consciousness is the foundation of all thinking; and thinking is the foundation of all consciousness.
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Sad will be the day for any man when he becomes contented with the thoughts he is thinking and the deeds he is doing - where there is not forever beating at the doors of his soul some great desire to do something larger; which he knows he was meant and made to do.
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Many teachers think of children as immature adults. It might lead to better and more 'respectful' teaching, if we thought of adults as atrophied children.
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If I had to pick a hero, it would be Charles Darwin--the size of his mind, which included all that scientific curiosity and knowledge seeking, and the ability to put it all together. There is a genuine spirituality about Darwin's thinking.
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Crash is hyper-articulate and often breathtakingly intelligent and always brazenly alive. I think it's easily the strongest American film since Clint Eastwood's Mystic River, though it is not for the fainthearted.
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I wasn't big in the party scene but I did have an excessive lifestyle. I had much more than I needed. I think that was a manifestation of a certain kind of mental illness.
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I think it's naïve to think white people aren't singing along directly!
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I think I've begun to take for granted how easily information can swirl around me.
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The denial of any distinction between foreseen and intended consequences, as far as responsibility is concerned, was not made by Sidgwick in developing any one 'method of ethics'; he made this important move on behalf of everybody and just on its own account; and I think it plausible to suggest that this move on the part of Sidgwick explains the difference between old-fashioned Utilitarianism and the consequentialism, as I name it, which marks him and every English academic moral philosopher since him.
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Hip-hop has done so much for racial relations, and I don't think it's given the proper credit. It has changed America immensely. I'm going to make a very bold statement: Hip-hop has done more than any leader, politician, or anyone to improve race relations.
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The Rise credo is about accepting no limits, alternative thinking, and driving positive change - the three pillars.
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Sometimes when I'm on the internet, I'll get this, like, which of these ad experiences would you prefer? And I'll have a choice of, like, a car, a pharmaceutical item or, you know, clothing. And I'm thinking, like, I don't want any of these. Do I have to choose?
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There is this tendency to think that if you could only find the magic way, then you could become a poet. "Tell me how to become a poet. Tell me what to do." . . . What makes you a poet is a gift for language, an ability to see into the heart of things, and an ability to deal with important unconscious material. When all these things come together, you're a poet. But there isn't one little gimmick that makes you a poet. There isn't any formula for it.
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I think there's been an overestimation of how much the press can shape coverage and people's decisions.
