Memory Quotes
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Five decades later, it’s clear that the problem isn’t about race—it is nearly universal. The works of Charles Murray, Robert Putnam, and J. D. Vance show that these tragic developments are not unique to any geographic or ethnic community. The share of white births occurring outside marriage is now roughly three in ten, which is higher than the “emergency” black rate in the 1960s. And although the teen pregnancy rate is down, the Urban Institute’s “Moynihan Report Revisited” pegs the overall share of black births now occurring outside marriage at more than seven in ten. Fourth, we have unhelpfully come to so identify our obligations to teenagers with the institution of secondary schooling that we have lost the collective memory of folks who came of age without schooling as the defining.
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People who suffer from depression have better memory than people who don’t, because part of our ability to survive and not to be depressed is to forget a lot of stuff.
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Photography works hand in glove with image and memory and therefore possesses their notable epidemic power.
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At grief so deep the tongue must wag in vain; the language of our sense and memory lacks the vocabulary of such pain.
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I have twenty countries in my memory and trail in my soul the colors of one hundred cities.
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I really rely a lot more on memory. I'm definitely not as good of a sight reader.
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Fondest memory of being a Beatle: Having three brothers.
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Despair is not solid. Neither is joy. They alternate, and contain each other. There is no joy that is not also touched by sorrow, no grief that is not rendered sharper by the memory of bliss. If things move forward in one direction and not another, they do so by rolling there, passing through the same tight orbit, touching here an ecstasy, there another shattering loss.
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Certainly something had happened to me during the night. Or after months of tension I had arrived at the edge of some precipice and now I was falling, as in a dream slowly, even as I continued to hold the thermometer in my hand, een as I stood with the soles of my slippers on the floor, even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
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A country without a memory is a country of madmen.
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What is the purpose of memory? Is it a trick to make sure we don't forget who we are by reminding us of who we were?
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A bad memory is the mother of invention.
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Pain itself can be pleasurable accidentally in so far as it is accompanied by wonder, as in stage – plays; or in so far as it recalls a beloved object to one's memory, and makes one feel one's love for the thing, whose absence gives us pain. Consequently, since love is pleasant, both pain and whatever else results from love, in so far as they remind us of our love, are pleasant.
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We can never fully repay the debt of our proud nation to those who have laid down their lives for our country. The best we can do is honor their memory, ensure that their sacrifice is not in vain, and help provide for their families.
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Fading, with the Night, the memory of a dead love, and the withered leaves of a blighted hope, and the sickly repinings and moody regrets that numb the best energies of the soul: and rising, broadening, rolling upward like a living flood, the manly resolve, and the dauntless will, and the heavenward gaze of faith-the substance of things hoped for, the evidence of things not seen!
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Many people believe that memory works like a recording device. You just record the information, then you call it up and play it back when you want to answer questions or identify images. But decades of work in psychology has shown that this just isn't true. Our memories are constructive. They're reconstructive. Memory works a little bit more like a Wikipedia page: You can go in there and change it, but so can other people.
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To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes-countrysides and figures, movements and gestures-how could he have a style, that is originality?
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Myths have a very long memory.
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The raw materials of photography are light and time and memory.
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Memory is what makes us young or old.
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No doubt you are right... there would be far less suffering amongst mankind if men... did not employ their imaginations so assiduously in recalling the memory of past sorrow, instead of bearing their present lot with equanimity.
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I genuinely think I have a hugging superpower. I'm starting to master the transformative hug. I have a strange memory ability. There's a lot of information that I don't cognitively know, but that seems to rise up at moments of need. That feels like a superpower. Something that nobody knows about me is that I discovered at a young age that I could sing in two tones. I don't do this in performance, because it's something very special to me. But I've learned that it's a practice that goes back far in time.
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I think my interest gets sparked when I recognize a memory. That is when I take a picture.
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Memory is the scaffolding upon which all mental life is constructed.
