Literature Quotes
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Maud Gonne was - excuse me, Maud Gonne was central to the Gaelic literature revival. She wrote plays, and she sang.
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A lot of my love of literature comes from Oz and Alice.
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A great number of the disappointments and mishaps of the troubled world are the direct result of literature and the allied arts. It is our belief that no human being who devotes his life and energy to the manufacture of fantasies can be anything but fundamentally inadequate.
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All great works of literature either dissolve a genre or invent one.
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The real difference between literature and pulp is the kind of emotional responses they elicit. Dan Brown can't pierce your heart. Patricia Cornwell can't make you read a sentence twice and then look sightlessly out of the window.
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Sara Blair's Harlem Crossroads is an important addition to the body of literature that currently exists about Harlem. It brilliantly illuminates the complex relationship between photographic representation and race, and adds new insight into the ways in which this one black community has figured in both the critical and public imaginations. Harlem Crossroads is a tour de force.
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I think that the best literature has a core that you can't lock to a time or place but that can generate lots of meanings and translations.
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Thus if the First Amendment means anything in this field, it must allow protests even against the moral code that the standard of the day sets for the community. In other words, literature should not be suppressed merely because it offends the moral code of the censor.
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Being here: in a particular time and place. That is the existential position with particular implications for literature.
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Since 'Huckleberry Finn,' or thereabouts, it seemed that all American literature was about the alienated hero.
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Monsters are a departure from 'reality' in a way that allows for a range of fantastic possibilities. I mean this within the world of literature as well as in regards to art. When I sit down to draw, I'm energized by the possibility of creating a monster. That is where I find beauty and pathos.
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I didn't read much SF as a kid - I was a total Tolkien geek - but I started reading Samuel Delany and Angela Carter and Ursula LeGuin in high school, and I was definitely taken with the notion that here was a literature that could explore various notions of gender identity and how it affects the culture at large.
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Cultivating literature as I do upon a little oatmeal, and driving, when in a position to be driven at all, in that humble vehicle, the 'bus, I have had, perhaps, exceptional opportunities for observing their mutual position and behaviour; and it is very peculiar.
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Like many works of literature, Hollywood chooses for its villains people who strive for social dominance through the pursuit of wealth, prestige, and power. But the ordinary business of capitalism is much more egalitarian: It's about finding meaning and enjoyment in work and production.
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There is a broad cultural current that conveys the idea that a film is like a football team, it represents a nation, it is illustrated literature, filmed radio. These are outdated concepts, totally out of touch with today's realities.
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Somehow, in the novel format, I don't really like to do upfront, ideological discussion. In my heart, literature remains a poetic and ambiguous medium. On the other hand, I trained as a documentary filmmaker in film school, so my films very much reflect reality and socio-political problems. They're less subtle I would say.
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Thanks to budget shortfalls and format wars, our traditional media, literature, and arts are perishing faster than ever before. Nothing conceived by the human mind, except Heaven and nuclear winter, is eternal.
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Criticism can be wonderful, especially in making connections in an interpretive way. But by applying theories randomly, it's an interesting exercise, but I don't think it illuminates the literature.
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When the drama attains a characterization which makes the play a revelation of human conduct and a dialogue which characterizes yet pleases for itself, we reach dramatic literature.
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I have grown up on literature and mythological stories. They have fascinated me since childhood, and I believe every character that I portray on screen is an extension of my personality to some degree. That is why whatever role I play seems in my comfort zone.
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The new advocates of ID Intelligent Design ask that their ideas be judged by scientific, not religious, criteria. OK, let's see how well ID stacks up as a scientific alternative to Darwinism. To gauge how well ID is doing as a platform for scientific research, I logged into the best database of the biological literature. A search for keyword ''evolution'' yielded 24,000 hits in the last decade. A search for ''intelligent design'' yielded not a single piece of research. Evolution by natural selection remains the basis of every successful biological research program.
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At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.
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If the literature we are reading does not wake us, why then do we read it? A literary work must be an ice-axe to break the sea frozen inside us.
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Literature has been part of my life for as long as I can remember. I can't think back before a time that I didn't love writing and reading. When I was really young, my mother would read poems to me. I loved Edgar Allan Poe - I am sure I didn't understand it, but I loved it.
