Sarah Waters Quotes
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What does it say?" I said, when I had. She said, "It is filled with all the words for how I want you...Look.
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Life is crap but, every day is an experience.
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Read like mad. But try to do it analytically - which can be hard, because the better and more compelling a novel is, the less conscious you will be of its devices. It's worth trying to figure those devices out, however: they might come in useful in your own work.
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I do love the past but wouldnt want to live in it.
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Your heart-as you call it-and hers are alike, after all: they are like mine, like everyone's. They resemble nothing so much as those meters you will find on gas-pipes: they only perk up and start pumping when you drop coins in.
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And perhaps there is a limit to the grieving that the human heart can do. As when one adds salt to a tumbler of water, there comes a point where simply no more will be absorbed.
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Being in love, you know... it's not like having a canary, in a cage. When you lose one sweetheart, you can't just go out and get another to replace her.
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All unwillingly I opened my eyes - then I opened them wider, and lifted my head. The heat, my weariness, were quite forgotten. Piercing the shadows of the naked stage was a single shaft of rosy limelight, and in the centre of this there was a girl: the most marvellous girl - I knew it at once! - that I had ever seen.
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How will a person know, Selina, when the soul that has the affinity with hers is near it?" She answered, "She will know. Does she look for air, before she breathes it? This love will be guided to her; and when it comes, she will know. And she will do anything to keep that love about her, then. Because to lose it will be like a death to her.
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She scissored the curls away, and - toms, grow easily sentimental over their haircuts, but I remember this sensation very vividly - it was not like she was cutting hair, it was as if I had a pair of wings beneath my shoulder-blades, that the flesh had all grown over, and she was slicing free.
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I knew that I couldn't lie beside her, without wanting to touch her. I couldn't have felt her breath come upon my mouth, without wanting to kiss her. And I couldn't have kissed her, without wanting to save her.
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I'll burn myself, or I'll cut myself. For a burn or a cut might be shown, might be nursed, might scar or heal, would be a miserable kind of emblem; would anyway be there, on the surface of her body, rather than corroding it from within. Now the thought came to her again, that she might scar herself in some way. It came, like the solution to a problem: I won't be doing it like some hysterical girl. I won't be hoping she'll come catch me at it. It won't be like lying on the sitting-room floor. I'll be doing it for myself, as a secret.
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We have a name for your disease. We call it a hyper-aesthetic one. You have been encouraged to over-indulge yourself in literature; and have inflamed your organs of fancy.
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Even ashes are a part of your freedom.
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With every step I took away from her, the movement at my heart and between my legs grew more defined: I felt like a ventriloquist, locking his protesting dolls in to a trunk.
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I used to hate flying. I would sit there, rigid, convinced that if I relaxed, the plane would drop out of the sky.
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Weep all the artful tears you like. You shall never make my hard heart the softer.
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I've given up reading the papers. Since the world's so obviously bent on killing itself, I decided months ago to sit back and let it.
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Respect your characters, even the minor ones. In art, as in life, everyone is the hero of their own particular story; it is worth thinking about what your minor characters' stories are, even though they may intersect only slightly with your protagonist's.
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She supposed that houses, after all - like the lives that were lived in them - were mostly made of space. It was the spaces, in fact, which counted, rather than the bricks.
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I felt that thread that had come between us, tugging, tugging at my heart - so hard, it hurt me. A hundred times I almost rose, almost went in to her; a hundred times I thought, Go to her! Why are you waiting? Go back to her side! But every time, I thought of what would happen if I did. I knew that I couldn't lie beside her, without wanting to touch her. I couldn't have felt her breath upon my mouth, without wanting to kiss her. And I couldn't have kissed her, without wanting to save her.
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Why is it we can never love the people we ought to?
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For was that all, she thought bleakly, that love ever was? Something that saved one from loneliness? A sort of insurance policy against not counting?
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Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.